A work in constant progress (and occasional regress).
Release Date:
June 10, 2023
Original Title:
Eric LaRue
Genres:
Drama
Production Companies:
Big Indie Pictures
Brace Cove Productions
CaliWood Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 119
Janice is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims.
Best Boy Grip:
Brayden Josh Malinga
Boom Operator:
Cecilia Keirstead
Camera Operator:
Mary Margaret Porter
Chief Lighting Technician:
Blake M. Farmer
Co-Producer:
Ben Shafer
Costume Design:
Alexis Forte
Costume Supervisor:
Sarah Hoke
Director:
Michael Shannon
Director of Photography:
Andrew Wheeler
Editor:
Mike Selemon
Executive Producer:
R. Wesley Sierk
Meghan Schuman
Jeff Nichols
Byron Wetzel
John D. Straley
Declan Baldwin
First Assistant Director:
Dayna Schutz
Foley Artist:
Tornike Dzidzikashvili
Foley Editor:
Luka Kasrelishvili
Dachi Abesalashvili
Foley Mixer:
Joni Amiranashvili
Foley Supervisor:
Beso Kacharava
Lighting Technician:
James Michael Douglas
Makeup Department Head:
Ashleigh Chavis
Producer:
Jina Panebianco
Sarah Green
Karl Hartman
Production Coordinator:
Elizabeth A. Dennis
Production Design:
Chad Keith
Property Master:
Amy Graham
Script Supervisor:
Jean-Paul Chreky
Second Assistant "A" Camera:
Darrell Burke
Second Assistant Camera:
Anthony Scopino
Second Second Assistant Director:
Kathryn J. Hatam
Set Decoration:
Catherine Bayley
Set Dresser:
Ken Stewart
Sound Mixer:
Elanor Rimassa
Sound Re-Recording Mixer:
Dennis Dembeck
Still Photographer:
Dana Hawley
Unit Production Manager:
Taylor Morgan
Utility Sound:
Dylan Ferri
Visual Effects Supervisor:
David Isyomin
Writer:
Brett Neveu
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.