A work in constant progress (and occasional regress).
Release Date:
April 12, 2023
Original Title:
Black Lotus
Alternate Titles:
نیلوفر سیاه
Genres:
Action | Crime | Mystery | Thriller
Production Companies:
Capstone Pictures
Interstellar Pictures
Tom de Mol Productions
Production Countries:
Bulgaria | Netherlands | United Kingdom
Ratings / Certifications:
DE: 16 DK: 15 ES: 18 GB: 15 KR: 15 LT: N-16 NL: 16 RU: 18+
Runtime: 93
An ex-special forces operative wages a one man war through the streets of Amsterdam to rescue his friend's daughter from the local crime syndicate.
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Additional Camera:
Luciano Ivanov
Additional Casting:
Betty Post
Preslava Hristova
Jordy Knol
Additional Sound Re-Recording Mixer:
Peter Strijbos
Art Department Assistant:
Thomas Wiegerink
Robyn Bakker
Assistant Editor:
Marlieke van Gestel
Niels Koopman
Assistant Makeup Artist:
Maud Zoutenbier
Marloes de Jong
Assistant Production Manager:
Iris de Rooij
Best Boy Electrician:
Tim Schram
Boom Operator:
Jasnai Jansen
Leleane Lindenaar
Camera Operator:
Django de Groot
Ivo Peitchev
Ivan Vatsov
Casting:
Katy Covell
Ollie Gilbert
Betty Post
Preslava Hristova
Anwar Aaziz
Sander van Gils
Marco Eradus
Katy Covell
Marco van Os
Casting Assistant:
Madelief Blanken
Co-Producer:
Rico Verhoeven
Colorist:
John Thorborg
Costume Designer:
Martina Fehmer
Costume Supervisor:
Nadya Dobrikova
Dialogue Editor:
Marcel Huibers
Director:
Todor Chapkanov
Director of Photography:
Ivan Vatsov
Drone Operator:
Zoran Petrovski
Drone Pilot:
Tom Oudijk
Editor:
Jeffrey de Vore
Bohos Topakbashian
Electrician:
Jeroen van Nunen
Sem Haex
Maurice Schaalje
Laurens Witte
Daan Kretschmann
Olivier van der Meulen
Jeroen Arkenbout
Laurens Eindhoven
Executive Producer:
Yariv Lerner
René van Turnhout
Roman Viaris
Tad Daggerhart
Tim Hardeveld
Willem Pruijssers
Jason Carpenter
Rick Worst
Fight Choreographer:
Radoslav Parvanov
First Assistant "A" Camera:
Robert Jaap de Lange
First Assistant "B" Camera:
Samuel Cig
Vasil Paunov
First Assistant "C" Camera:
Julia Cereijo
First Assistant Director:
Aniek van Heeren
Ivan Mitov
Wouter Hamann
Foley Artist:
Danylo Gomlez
Foley Editor:
Illia Popel
Foley Mixer:
Illia Popel
Gaffer:
Thomas Kool
Hristo Idakiev
Gun Wrangler:
Rick Wiessenhaan
Key Grip:
Roy van den Vlekkert
Key Makeup Artist:
Jacqueline Hoogendijk
Line Producer:
Monique van der Waals
Yanko Ushatov
Location Manager:
Maarten Buurlage
Atanas Vulev
Rico Breed
Mitchell van Empelen
Location Scout:
Jascha Joseph
Makeup & Hair:
Marta Frankowicz
Makeup Designer:
Maria Stankovich
Makeup Supervisor:
Antoaneta Andreeva
Bianca van der Steen
Music:
Roel Gommans
Jules Reivers
Post Producer:
Erik van Wegen
Producer:
Christian Mercuri
Tom de Mol
Marcel de Block
Producer's Assistant:
Kim Timmers
Production Assistant:
Demi Gomez
Ivana Stamenkovits
Robyn Bakker
Faas Wijn
Production Design:
Roumian Dimitrov
Wendy Dries
Remke van Apeldoorn
Production Manager:
Hanna Burkhardt
Production Supervisor:
Stasi Petrova
Property Master:
Danja Putman
Script Supervisor:
Ivana Djidrova
Second Assistant "A" Camera:
Kaloyan Ignatov
Second Assistant "B" Camera:
Radoi Nikolov
Second Assistant Director:
Diana van Wegen
Natasha Roth
Second Unit First Assistant Director:
Paul Zomerhuis
Set Dresser:
Daan Croonenberg
Nina van Haren
Romee Nederhand
Sound Assistant:
Laura Solleveld
Sound Re-Recording Mixer:
Bouk Bouwmeester
Sound Recordist:
Bouk Bouwmeester
Special Effects:
Rick Wiessenhaan
Special Effects Key Makeup Artist:
Timothy Radstaat
Stunt Coordinator:
Boyan Anev
Zahari Grozdanov
Stunt Double:
Hristo Dimitrov
Ivan Neshev
Greg Fitzpatrick
Albena Sitnilska
Stunts:
Angel Lukanov
Angel Karanyotov
Third Assistant Director:
Anneloes Muntjewerff
Iris de Git
Demi Gomez
Sophy Shushkova
Faas Wijn
Brechtje Nieuwint
Title Designer:
Erik van Wegen
Visual Effects Coordinator:
Antonia Tocheva
Visual Effects Supervisor:
Yovko Dogandjiiski
Writer:
Tad Daggerhart
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.