A work in constant progress (and occasional regress).
Release Date:
June 18, 1986
Original Title:
Legal Eagles
Alternate Titles:
Orlove prava
Genres:
Comedy | Crime
Production Companies:
Mirage Enterprises
Northern Lights Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 DE: 12 FR: U GR: 13 HU: 6 IE: PG JP: PG12 US: PG
Runtime: 116
District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.
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ADR Editor:
Richard Friedman
Art Direction:
Ron Hobbs
Assistant Art Director:
Amy Alexander
Linda Conaway-Parsloe
Assistant Chief Lighting Technician:
Kevin J. Lang
Assistant Editor:
Saul Saladow
Craig Herring
Assistant Property Master:
'Dangerous' Bob Widin
Associate Producer:
Arne Glimcher
Sheldon Kahn
Camera Operator:
Ray De La Motte
Casting:
Howard Feuer
Deborah Lucchesi
Chief Lighting Technician:
Richmond L. Aguilar
Conductor:
Elmer Bernstein
Construction Coordinator:
Donald L. Nobles
Construction Foreman:
Ray Chambers
Costume Design:
Albert Wolsky
Dialogue Coach:
Dave Webb
Director:
Ivan Reitman
Director of Photography:
László Kovács
Dolly Grip:
Donald L. Hartley
Editor:
Sheldon Kahn
William D. Gordean
Pembroke J. Herring
Executive Producer:
Michael C. Gross
Joe Medjuck
First Assistant Camera:
Joseph E. Thibo
First Assistant Director:
Peter Giuliano
Foley Artist:
Jeffrey Wilhoit
James Moriana
Key Grip:
Gene Kearney
Leadman:
Ronald C. Jacobs
Location Manager:
Paul Pav
Makeup Artist:
Gary Liddiard
Negative Cutter:
Donah Bassett
Orchestrator:
Patrick Russ
Christopher Palmer
Original Music Composer:
Elmer Bernstein
Producer:
Ivan Reitman
Production Accountant:
Nancy Aprile
Production Coordinator:
Anna Zappia
Production Design:
John DeCuir Jr.
Production Manager:
John G. Wilson
Property Master:
John Zemansky
Propmaker:
Michael A. Tice
Publicist:
Nancy Willen
Rigging Grip:
John Thomas Kennedy
Screenplay:
Jack Epps Jr.
Jim Cash
Script Supervisor:
Trish Kinney
Second Assistant Camera:
Brian W. Armstrong
Second Assistant Director:
Sarah M. Brim
Rodney Allen Hooks
Katterli Frauenfelder
Set Decoration:
Thomas L. Roysden
Set Designer:
Carlos Cerrada
Steven P. Sardanis
Set Dresser:
Scott M. Anderson
Sound Editor:
David E. Stone
Sound Re-Recording Mixer:
Bill Varney
Michael Minkler
Rick Alexander
Steadicam Operator:
Dan Lerner
Garrett Brown
Still Photographer:
Bruce Birmelin
Douglas Kirkland
Story:
Ivan Reitman
Stunt Coordinator:
Alan Gibbs
Stunts:
Donna Evans
Buddy Van Horn
Jeannie Epper
Troy Gilbert
Tim Gilbert
Eurlyne Epper
Ronnie Rondell Jr.
Rick Avery
Andy Gill
Noon Orsatti
Mic Rodgers
Donna Keegan
Supervising Music Editor:
Kathy Durning
Supervising Sound Editor:
Tom C. McCarthy
William L. Manger
Visual Effects Supervisor:
Richard Edlund
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.