A work in constant progress (and occasional regress).
Release Date:
October 11, 2023
Original Title:
Los colonos
Alternate Titles:
Поселенці
開拓者たち
Genres:
Drama | Western
Production Companies:
Ciné-Sud Promotion
Film i Väst
Finite Films
MK2 Films
Quiddity Films
Quijote Films
Rei Pictures
Snowglobe
Sophie Dulac Productions
Sutor Kolonko
Volos Films
Production Countries:
Argentina | Chile | Denmark | France | Germany | Sweden | Taiwan | United Kingdom
Ratings / Certifications:
DE: 16 ES: 12 GB: 15 IE: 16 NL: 16 PR: NR SE: 15 US: NR
Runtime: 101
Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.
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ADR Mixer:
Leandro de Loredo
ADR Recordist:
Mauricio López
Casting:
Roberto Matus
Verónica Souto
Jessie Frost
Co-Producer:
Eva Jakobsen
Kristina Börjeson
Mikkel Jersin
Anthony Muir
Katrin Pors
Ingmar Trost
Colorist:
Nazzareno Neri
Conductor:
Geoffrey Pope
Costume Designer:
Muriel Parra
Costumer:
Natalia Alayón
Director:
Felipe Gálvez
Director of Photography:
Simone D'Arcangelo
Editor:
Matthieu Taponier
Executive Producer:
Fernando Bascuñán
Amy Gardner
Constanza Erenchún
Hairstylist:
Damián Brissio
Line Producer:
Carolina Agunin
Makeup Artist:
Damián Brissio
Matte Painter:
Isidor Swande
Online Editor:
Albin Abrahamsson
Original Music Composer:
Harry Allouche
Pipeline Technical Director:
Emil Gunnarsson
Post Production Supervisor:
Clas Hakeröd
Post-Production Manager:
Joaquín Sebastián Fernández Lieste
Producer:
Santiago Gallelli
Emily Morgan
Thierry Lenouvel
Stefano Centini
Benjamín Doménech
Matías Roveda
Giancarlo Nasi
Production Design:
Sebastián Orgambide
Screenplay:
Antonia Girardi
Felipe Gálvez
Script Supervisor:
Gwenn Joyaux
Set Designer:
Ángeles García Frinchaboy
Sound Designer:
Tse Kang Tu
Tu Duu-Chih
Still Photographer:
Valeria Fiorini
Visual Effects Compositor:
Per Nyman
Pär Olsson
Zafer Fanari
Visual Effects Supervisor:
Anders Nyman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.