A work in constant progress (and occasional regress).
Release Date:
June 17, 2022
Original Title:
Love Triangle Nightmare
Alternate Titles:
Deadly Divorce Party
Genres:
TV Movie | Thriller
Production Companies:
Reel One Entertainment
Production Countries:
Canada
Ratings / Certifications:
US: PG-13
Runtime: 85
Brittany, while attending her “Divorce Party Weekend,” meets a handsome stranger named Jake. On the surface, he appears to be everything her ex-husband Austin is not. After a chance meeting at a coffee house a few days later, she finds herself beginning to fall for him. Meanwhile, Brittany is still friendly with her ex-husband, Austin, who is beginning to question this new relationship. Sad to say, his warning goes unheeded, as she sees it as jealousy. As it turns out, Jake is evil, and she might find this out when it's too late.
"B" Camera Operator:
Jonna Bouliane
Gordon Yang
ADR Editor:
Jacques Plante
Art Direction:
Tammie Walker
Assistant Location Manager:
Sean Parker
Assistant Production Coordinator:
Vincent Cardyn
Best Boy Electric:
Nick Lynch
Best Boy Grip:
Matt Tenute
Boom Operator:
Timon Incze
Zachary Sedlar
Casting:
Lisa Parasyn
Jaedei Sansom
Ilona Smyth
Casting Associate:
Matthew Goudie
Costume Design:
Kaitlin Hum
Craft Service:
Tifanni Kenny
Dialogue Editor:
Jacques Plante
Director:
Roxanne Boisvert
Director of Photography:
Bill St. John
Editor:
Jordan Jensen
Executive Producer:
Tom Berry
Sebastian Battro
Roxanne Boisvert
Pierre David
Extras Casting:
Kimi Hay
Matthew Goudie
Ilona Smyth
Finance:
Noël A. Zanitsch
First Assistant "B" Camera:
Chris Berti
Keegan Yang
First Assistant Accountant:
E. Andrew Pecs
First Assistant Camera:
Jonna Bouliane
Michael Potts
First Assistant Director:
Jade Bacon
Taralee Gerhard
Liam McLoughlin
Foley Artist:
Stéphane Cadotte
Jonah Bolduc
Sabin Hudon
Foley Recordist:
Leonardo Lamela
Gaffer:
Evelyn Sifton
Peter Chartier
Kyle Amell
Grip:
Nick Crosse
Brian Porter
Sullivan Laurence
Hairstylist:
Tracy Page
Key Grip:
Kevin McMillan
Key Hair Stylist:
Darcy Ryan Langille
Location Manager:
Eric McAllister
Makeup Artist:
Gisele Matte
Makeup Department Head:
Chancelle Mulela
On Set Dresser:
Kaitlin Hum
Original Music Composer:
Richard Bowers
Post Production Coordinator:
Marco Lucci
Rachel Lampron
Post Production Supervisor:
Virginie Forest
Producer:
Ivy Bregman
Steve Boisvert
Neil Bregman
Production Accountant:
Daniel Simpson
Production Coordinator:
Audrey Moore
Production Design:
Cody Johnson
Production Manager:
Ainslie S. Wiggs
Property Master:
Shawna Wood
Props:
Mike McGrath
Second Assistant "B" Camera:
Matt Crosse
Alexandre Perrotin
Second Assistant Camera:
Gavin Braun
Second Assistant Director:
Sarah Petkov
Set Decoration:
Devin Rushton
Cameron Deveau
Set Dresser:
Fiona Brui-Robey
Sound Designer:
Michel Gauvin
Sound Editor:
Sébastien Bédard
Sound Mixer:
David Moffat
Charles Paquin
Sound Re-Recording Assistant:
Brian Cossette
Antoine Pigeon
Sound Re-Recording Mixer:
Michel Gauvin
Sound Supervisor:
Guillaume Boursier
Special Effects Makeup Artist:
Cinthia Burke
Still Photographer:
Albert Camicioli
Third Assistant Director:
Brendon Butt
Kevin Preece
Brandan McLoughlin
Transportation Coordinator:
Jessica Ferguson
Wardrobe Assistant:
Yaan Adu
Shiane Wood
Writer:
Andrea Canning
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.