Collateral Damage (2002) [R]

Release Date:
February 6, 2002

Original Title:
Collateral Damage

Alternate Titles:
Kolateralna šteta
Kosveni zhertvi
Riesgos colaterales
Thanásimi Katadíoxi
Vidshkoduvannya zbytkiv
Vozmeshcheniye ushcherba
คนเหล็กทวงแค้นวินาศกรรมทมิฬ
直擊要害

Genres:
Action | Drama | Thriller

Production Companies:
Bel Air Entertainment
David Foster Productions
Hacienda Productions
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 16  CH: 16  CZ: 12+  DE: 16  DK: 15  FI: K-16  FR: 12  GB: 15  GR: 15  HU: 18  IE: 15  KR: 15  NO: 15  PL: 18  PT: M/16  RU: 16+  SE: 15  US: R 

Runtime: 108

Nothing is more dangerous than a man with nothing to lose.

Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Lee Lemont

ADR Mixer:
Eric Thompson

ADR Voice Casting:
Sandy Holt

Actor's Assistant:
Bill Hader

Additional Second Assistant Director:
Mark S. Constance

Aerial Coordinator:
David Paris

Aerial Director of Photography:
Phil Pastuhov

Animation Supervisor:
Tim Everitt

Art Department Coordinator:
Carol Kiefer
Alisarine Ducolomb

Art Direction:
Richard Reseigne
Marc Fisichella
Theresa Wachter

Assistant Accountant:
Christopher Ciketic

Assistant Art Director:
Carlos Benassini
Tom Frohling
John B. Josselyn

Assistant Camera:
Kathryn Roberts
Makiko Carlson

Assistant Director:
Chris Brighton

Assistant Editor:
Florent Danny Retz
Daniel Kupresan
Peter Ciardelli
Anthony J. Camaioni

Assistant Production Coordinator:
Stephani Hunter

Assistant Production Manager:
Rick Ojeda

Assistant Property Master:
Mike Carrillo

Associate Producer:
Mitchell E. Dauterive
Lowell D. Blank
Teresa Tucker-Davies

Best Boy Electric:
David Morton

Best Boy Grip:
Michael T. Travers
Michael Guthrie

Boom Operator:
Earl Sampson

Camera Loader:
Dana Kroeger

Camera Operator:
Stephen St. John
Moshe Levin
Eduardo Flores Torres

Casting:
Claudia Becker
Amanda Mackey
Cathy Sandrich Gelfond

Casting Assistant:
Pamela Frazier

Co-Producer:
John Schimmel

Compositing Supervisor:
Ken Stranahan

Compositor:
Krista Benson
David Fogg
Dave Lockwood
Mark Kochinski
Tammy Sutton

Conductor:
Tim Simonec

Costume Designer:
James W. Tyson

Costumer:
Greg Hall
Ann Foley

Craft Service:
Jose Manuel Ballesteros

Dialect Coach:
Jon Sperry

Dialogue Editor:
Robert Troy

Director:
Andrew Davis

Director of Photography:
Adam Greenberg

Dolby Consultant:
Thom 'Coach' Ehle

Driver:
Ron Kunecke

Editor:
Dov Hoenig
Dennis Virkler

Electrician:
Waide R. Allen

Executive In Charge Of Production:
Bill Draper

Executive Producer:
Hawk Koch
Nicholas Meyer

Extras Casting:
Franklyn Warren
Jenny Syrup
Jorge Guerrero

Extras Casting Assistant:
Sonia Guerrero
Edna Guerrero
Armando Guerrero

First Assistant Camera:
Mark Walpole
Alan Cohen
Robert C. Carlson

First Assistant Director:
William M. Elvin

First Assistant Editor:
Matthew Schmidt
Emily Wallin
Nina Lucia

First Assistant Sound Editor:
Paul Aulicino

Foley Artist:
Laura Macias
Gregg Barbanell

Foley Editor:
Shawn Sykora

Gaffer:
Michael Orefice
Robert Jason

Graphic Designer:
Susan A. Burig

Grip:
Robert Ikeda
Peter McAdams

Hair Department Head:
Peter Tothpal

Hairstylist:
Bridget Cook

Key Costumer:
Joe McCloskey
Dawn Y. Line

Key Grip:
Bob Munoz

Key Hair Stylist:
Jennifer Bell

Key Makeup Artist:
Louis Lazzara

Key Set Production Assistant:
Angela Athayde

Lighting Technician:
Conner Vandeer

Local Casting:
Claudia Becker

Location Assistant:
Juan Pablo Noval

Location Manager:
Horacio Rodríguez
Becky Brake
Lily Flaschner
Jonathan Reich

Location Scout:
Lori A. Balton

Makeup Artist:
Raúl Sarmiento

Makeup Department Head:
Jeff Dawn

Marine Coordinator:
John 'Moby' Griffin

Music:
Salvatore Basile

Music Editor:
Tom Kramer
Joshua Winget

Music Programmer:
Michael Wandmacher

Music Supervisor:
G. Marq Roswell

Musician:
M.B. Gordy

Negative Cutter:
Mo Henry

Orchestrator:
Blake Neely

Original Music Composer:
Graeme Revell

Painter:
Francesco Franco Ferrara

Payroll Accountant:
Edward Poveda

Picture Car Coordinator:
Ricardo Gallarzo Jr.

Pilot:
Euplio Tellez Rodriguez
Robert 'Bobby Z' Zajonc
Jorge Vera Heichner

Producer:
Steven Reuther
David Foster

Production Accountant:
Terry Dunn

Production Assistant:
Bill Hader
Jason Altieri

Production Coordinator:
Robin Mulcahy Fisichella

Production Design:
Philip Rosenberg

Production Driver:
Edmundo Pérez

Production Office Coordinator:
James Spadafore

Production Sound Mixer:
Art Rochester

Production Supervisor:
Anna Roth
Mitchell E. Dauterive

Projection:
Michael Altman

Prosthetic Supervisor:
Clinton Wayne

Rigging Gaffer:
Greg Banta

Rigging Grip:
Alfred E. Smithey

Scoring Mixer:
John Kurlander

Screenplay:
David Griffiths
Peter Griffiths
Ronald Roose

Script Supervisor:
Trisha Burton
Mariana Gironella

Second Assistant Camera:
Camille Freer
Ray Milazzo
Tommy Tieche
Greg Faysash

Second Assistant Director:
A. Hugo Gutierrez Cuellar

Second Second Assistant Director:
Kristina M. Peterson

Second Unit Director:
William H. Burton Sr.

Second Unit Director of Photography:
Craig Haagensen

Set Costumer:
Susi Campos

Set Decoration:
Enrique Estévez
Thomas L. Roysden

Set Decoration Buyer:
Moises Pineda

Set Designer:
Glenn Williams
Hugo Santiago
Kenneth A. Larson
Erick Monroy

Sound Designer:
Will Riley
Tim Walston

Sound Editor:
Bernard Weiser
Donald L. Warner Jr.
Paul Curtis

Sound Effects Editor:
Kim Secrist
Richard E. Yawn
Steve Nelson
Steve Mann
Glenn Hoskinson

Sound Engineer:
Carl D. Ware

Sound Mixer:
William B. Kaplan

Sound Re-Recording Mixer:
John T. Reitz
David E. Campbell
Gregg Rudloff

Sound Recordist:
Philip Rogers
Mark Johnston

Special Effects Assistant:
Sergio Jara Jr.

Special Effects Coordinator:
Sergio Jara
Thomas L. Fisher

Special Effects Technician:
Kent W. Luttrell

Stand In:
Kevin Beard

Storyboard Artist:
Tom Jung

Studio Teachers:
Judith Jennings

Stunt Coordinator:
William H. Burton Jr.
Gerardo Albarrán
William H. Burton Sr.

Stunt Double:
Billy D. Lucas
Jimmy N. Roberts
Karin Silvestri

Stunts:
Billy D. Lucas
Danny Epper
Bobby Burns
Heather Burton
William H. Burton Sr.
Robert Alonzo
Annie Ellis
Jennifer Caputo
Jophery C. Brown
Troy Robinson
Troy Brown
Manny Perry

Supervising ADR Editor:
Becky Sullivan

Supervising Sound Editor:
Bruce Stambler

Technical Advisor:
Salvatore Basile

Title Designer:
Nina Saxon

Transportation Captain:
Ricardo Díaz Avilés

Transportation Coordinator:
Arturo Curiel

Underwater Camera:
Wayne Baker

Unit Production Manager:
David Siegel

Unit Publicist:
Sheryl Main

Utility Sound:
Kurt Peterson

Utility Stunts:
Norm Compton
Alisa Hensley

Video Assist Operator:
Martin Weight

Visual Effects Assistant Editor:
Lincoln Kupchak
Bonnie Dombrowski

Visual Effects Producer:
Cosmas Paul Bolger Jr.
Jeffrey White
Penny A. Mesa

Visual Effects Production Assistant:
Dave Jacobson

Visual Effects Production Manager:
Sharon Stetzel

Visual Effects Supervisor:
William Mesa
John P. Mesa
Cosmas Paul Bolger Jr.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.