Best. Christmas. Ever! (2023) [PG]

Release Date:
November 16, 2023

Original Title:
Best. Christmas. Ever!

Alternate Titles:
The Holiday Letter
Лучшее. Рождество. В жизни!
بهترین. کریسمس. تا به الآن!

Genres:
Comedy

Production Companies:
Brad Krevoy Television
Motion Picture Corporation of America

Production Countries:
United States of America

Ratings / Certifications:
DE: 6  FR: TP  GB: PG  KR: 12  PL: 7  PR: PG  RO: AP  SG: PG  US: PG 

Runtime: 82

Make amends with old friends.

After a twist of fate brings their families together for Christmas, Charlotte sets out to prove her old friend Jackie's life is too good to be true.

Additional information:

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"A" Camera Operator:
Ryan Hannah

"B" Camera Operator:
Heimo Ritzinger

"C" Camera Operator:
Jeremy Prusso

ADR Editor:
Matt Rigby

Additional Camera:
Jameson Dressen

Additional Hairstylist:
Molly Moonanne Sanders
Jami Gierloff

Art Department Coordinator:
Ally Austin
Sierra Saez

Assistant Art Director:
Ashley Cook

Assistant Location Manager:
Mark White

Assistant Property Master:
Kristin Hafen

Assistant Sound Editor:
Jake O'Brien

Boom Operator:
Danny Gray
Bryan Densley

Casting:
Nancy Nayor

Casting Associate:
Jasmine Gutierrez

Co-Producer:
Eric Jarboe
Jake Relic
Mike Karz
Andrew R. Tennenbaum

Construction Coordinator:
Dillon Ellefson

Costume Designer:
Emerson Alvarez

Dialogue Editor:
Giuseppe Cappello

Director:
Mary Lambert

Director of Photography:
Graham Robbins

Editor:
Jeffrey Wolf

Executive Producer:
Jimmy Townsend
David M. Wulf
Amanda Phillips
Eric Jarboe
Todd Calgi Gallicano
Charles Shyer
Bryan Bordon
Steve Berman

Extras Casting:
Terry Prather

First Assistant "A" Camera:
Jonathan Wertz

First Assistant "B" Camera:
Nic Edwards

First Assistant "C" Camera:
Brenna Empey

First Assistant Director:
Evan Lai-Hipp

First Assistant Editor:
Colin Fowler

Foley Artist:
Aleksandra Stojanovic

Graphic Designer:
Avia Lewis

Hair Department Head:
Megan Danner

Hairstylist:
Nikia Nelson

Key Costumer:
Steven Witkowski

Key Hair Stylist:
Ariel Parker

Key Makeup Artist:
Heather Everett

Leadman:
Adam Everett

Line Producer:
John Foss

Local Casting:
Jeff Johnson

Location Manager:
Joe Day

Main Title Designer:
Randall Balsmeyer

Makeup Artist:
Trenton Simmons
Julia Vinha
Emily Brodock

Makeup Department Head:
Shalyse Lopez

Music Coordinator:
Francesca Harding

Music Supervisor:
Amanda Krieg Thomas

Original Music Composer:
Jeff Rona

Post Production Supervisor:
Isabel Henderson

Producer:
Brad Krevoy

Production Coordinator:
Taylor Paur

Production Design:
Diane Millett

Production Sound Mixer:
Paul D. Hunt

Property Master:
Dan Haskell

Screenplay:
Todd Calgi Gallicano
Charles Shyer

Script Supervisor:
Briana Wall
Penny Johnson

Second Assistant "A" Camera:
Scooter Cooper

Second Assistant "B" Camera:
Grant Williams

Second Assistant "C" Camera:
Tia Rosenlof

Second Assistant Director:
Chris Copier

Second Second Assistant Director:
Ryan McDowell

Set Costumer:
Emma Snow
Patrick Hayes

Set Decoration:
Brian Lives

Set Dresser:
Rachel Kubricky
Danny Kuehl
Daniela Weinreich
Christian Russell

Sound Effects Editor:
Jonathan DelToro

Sound Engineer:
Keith Sengbusch

Sound Re-Recording Mixer:
Martin Czembor

Special Effects Coordinator:
Ryan Roundy

Special Effects Technician:
Josh Josephsen
Jesse Roberts
Ayden Hatch
Chuck Roundy
Joe Baker
Chase Christensen
Jesse Thayer Gutierrez
Josh Jackson
Lauralee Browne

Steadicam Operator:
Ryan Hannah

Still Photographer:
Scott Everett White

Story:
Todd Calgi Gallicano

Storyboard Artist:
Andrea Dietrich

Stunt Coordinator:
Frank L. Bare II

Stunts:
Ashley Adair
Rexley Florendo
Brian Finn
Brent Steffensen
Shane Josephs

Supervising Sound Editor:
Ruy García

Unit Production Manager:
David M. Wulf

Visual Effects Editor:
Colin Fowler

Visual Effects Supervisor:
Landon Bootsma
Milton Muller

Vocal Coach:
Keith Harrison

Wardrobe Supervisor:
Anna Hayes

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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