A work in constant progress (and occasional regress).
Release Date:
January 1, 1986
Original Title:
Cobra
Alternate Titles:
Die City-Cobra
Kobra
浴血擒魔
眼镜蛇
鐵膽威龍
铁胆威龙
Genres:
Action | Crime | Thriller
Production Companies:
Golan-Globus Productions
The Cannon Group
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R 18+ BR: 14 DE: 18 ES: 18 FR: 12 GB: 18 HU: 18 IE: 18 IT: VM14 JP: G KR: 18 NL: 16 PL: 18 PT: M/16 RU: 18+ SK: 15 US: R
Runtime: 87
A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.
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ADR Editor:
Avram D. Gold
ADR Voice Casting:
Barbara Harris
Additional Photography:
Nick McLean
Art Direction:
William Ladd Skinner
Adrian Gorton
Assistant Art Director:
Cate Bangs
Gayle Simon
Assistant Editor:
Carmen Baker
Paul Cichocki
Gregory M. Gerlich
Martin November
Assistant Property Master:
Kurt V. Hulett
Assistant Sound Editor:
Michelle Pleis
Best Boy Electric:
Ken Tosic
Boom Operator:
James M. McCann
Camera Operator:
Michael St. Hilaire
Rick Neff
Casting:
Joy Todd
Casting Assistant:
Henry Alford
Cynthia Rothkopf
Sally Stiner
Chief Lighting Technician:
Carl Boles
Color Timer:
Robert Raring
Construction Coordinator:
Michael J. Smith
Costume Design:
Tom Bronson
Costumer:
Robin Borman-Wizan
Murray Lantz
Michael J. Long
Linda Henrikson
Craft Service:
Verla Loomis Randall
James E. Lorimer
Director:
George P. Cosmatos
Director of Photography:
Ric Waite
Dolly Grip:
Donald Whipple Jr.
Editor:
Don Zimmerman
James R. Symons
Electrician:
Richard L. Jordan
Keith Pallant
Jeff Stanman
Eddie Taylor
Executive Producer:
James D. Brubaker
First Assistant Accountant:
Lynn C. Marchionno
First Assistant Camera:
Roger Gebhard
Richard A. Mention
First Assistant Director:
Duncan Henderson
Foley Artist:
Evelyn Dutton
Margie O'Malley
Grip:
Jack Glenn
Howard Hagadorn
Danny Boldroff
Hairstylist:
Lola Kemp
Barbara Lorenz
Key Grip:
Steve Boldroff
John London
Leadman:
Douglas Forsmith
William D. Derham
Lighting Technician:
Carl Boles
Location Manager:
Laura Sode-Matteson
Robert H. Lemer
Makeup Artist:
Leonard Engelman
Stephen Abrums
Music Editor:
George Brand
Music Supervisor:
Robin Garb
Negative Cutter:
Donah Bassett
Novel:
Paula Gosling
Original Music Composer:
Sylvester Levay
Producer:
Yoram Globus
Tony Munafo
Menahem Golan
Production Accountant:
Cynthia Wise
Production Assistant:
Bruce Carter
Production Consultant:
Bill Wells
Production Coordinator:
Richard Liebegott
Production Design:
Bill Kenney
Prop Maker:
Frederick Lietzman
Property Master:
Louis S. Fleming
Publicist:
Tom Gray
Screenplay:
Sylvester Stallone
Script Supervisor:
Hope Williams
Second Assistant Camera:
Larry Hezzelwood
Christopher Ishii
Second Assistant Director:
Eric Jewett
Janet G. Knutsen
Second Unit Director:
Terry Leonard
Set Decoration:
Robert Gould
Set Designer:
David F. Klassen
Set Dresser:
Max E. Brehme
Sound Editor:
Teri E. Dorman
Michele Sharp
Jay Wilkinson
Joseph A. Ippolito
Sound Mixer:
Michael Evje
Sound Re-Recording Mixer:
Rick Kline
Gregg Landaker
Michael Minkler
Sound Recordist:
Stanley B. Gill
Special Effects:
Phil Cory
Standby Painter:
Jane Stewart
Still Photographer:
Dave Friedman
Stunt Coordinator:
Terry Leonard
Stunt Double:
Mark De Alessandro
Stunts:
Mike H. McGaughy
Ben Scott
Branscombe Richmond
Lane Leavitt
Gary McLarty
Kerry Rossall
Mike Tillman
Diane Kay Grant
Michael Runyard
Pat Romano
Mark De Alessandro
Paul M. Lane
Mike Johnson
Debbie Evans
Tracy Keehn-Dashnaw
David D. Darling
Richard Epper
Terry Jackson
Brad Bovee
Scott Dockstader
Corey Michael Eubanks
Joe Finnegan
Supervising Sound Editor:
Fred J. Brown
Technical Advisor:
Tony Maffatone
Third Assistant Director:
Seanna McPherson
Transportation Captain:
Michael Brum
Transportation Coordinator:
Ed Arter
Utility Sound:
Fredrick Talmage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.