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Ginger Snaps (2000) [R]

Release Date:
December 11, 2000

Original Title:
Ginger Snaps

Alternate Titles:
Feroz
Ginger - Verliebt in den Tod
Ginger Snaps
Ginger Snaps: La poseída
Tentadora Maldição
ジンジャー スナップス

Genres:
Fantasy | Horror

Production Companies:
Copperheart Entertainment
Téléfilm Canada

Production Countries:
Canada

Ratings / Certifications:
AR: 16  CA: 18A  DE: 18  FR: 16  GB: 18  IE: 18  US: R 

Runtime: 108

They don't call it the curse for nothing.

Overview from TheMovieDB

The story of two outcast sisters, Ginger and Brigitte, in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.

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Performers

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Production

ADR Editor:
Fred Brennan

ADR Recordist:
Bob Lacivita
Tom Blainey
Randy Wilson
Jeff Hamon
David Yonson

Additional Camera:
Paul Boucher

Art Direction:
Mary Wilkinson

Assistant Costume Designer:
Sheila Fitzpatrick

Assistant Production Coordinator:
Andrea Nesbitt

Assistant Property Master:
Derreck Roemer

Associate Producer:
Tina Goldlist

Best Boy Electric:
Loreen Ruddock

Best Boy Grip:
James Grant

Boom Operator:
Stephen Marian
Jason Milligan

Camera Operator:
Sean Jensen

Carpenter:
Jack St. John

Casting Director:
Robin D. Cook

Color Timer:
Ricardo Olivero

Construction Coordinator:
Frans Van Gerwen

Costume Design:
Lea Carlson

Dialogue Editor:
Mishann Lau

Director:
John Fawcett

Director of Photography:
Thom Best

Dolly Grip:
Patrick Hales

Editor:
Brett Sullivan

Electrician:
Kenneth S. Green
Chris Zacharuk

Epk Camera Operator:
Steven Chung

Executive Producer:
Noah Segal
Dan Lyon
Alicia Reilly Larson

Extras Casting:
Megan Conacher

First Assistant Art Direction:
Dan Norton

First Assistant Camera:
Dean Stinchcombe

First Assistant Director:
David McLennan

First Assistant Editor:
Michele Francis

Foley Artist:
Donna Powell

Foley Recordist:
Ian Rankin

Gaffer:
Mark Berlet

Genetator Operator:
Rick Leger

Hairstylist:
Suzanne Savage

Location Manager:
Orest Haba

Makeup Artist:
Jordan Samuel
Sarah Fairbairn

Music Supervisor:
Scot McFadyen

Negative Cutter:
Catherine Rankin

Original Music Composer:
Mike Shields

Post Production Supervisor:
Lori Waters

Producer:
Steven Hoban
Karen Lee Hall

Production Accountant:
Sasha Marusich

Production Design:
Todd Cherniawsky

Production Manager:
Robert J. Pazoro

Property Master:
Michael Followes

Script Supervisor:
Rachel Landry

Second Assistant Camera:
Maryse Frigon

Second Assistant Director:
Laura Wood Fawcett

Second Unit Director:
Grant Harvey

Second Unit Director of Photography:
Mark Berlet
Gavin Smith

Second Unit First Assistant Director:
Sheldon Inkol

Set Decoration:
Eric McNab

Sound Designer:
David McCallum

Sound Effects Editor:
Jane Tattersall
Robert Warchol

Sound Re-Recording Mixer:
Orest Sushko
Lou Solakofski

Special Effects:
Brock Jolliffe

Special Effects Makeup Artist:
Gary J. Tunnicliffe
Paul Jones

Still Photographer:
Sophie Giraud
Ava Gerlitz

Story:
John Fawcett

Story Editor:
Ken Chubb

Storyboard Artist:
Julia Holden
Vincenzo Natali

Studio Teacher:
Brian Weiner

Stunt Coordinator:
Shelley Cook

Stunts:
Brittney Banks
Regan Moore
Kym Kristalie
Jessica Meyer

Supervising Dialogue Editor:
Garrett Kerr

Visual Effects Supervisor:
John Furniotis

Wardrobe Supervisor:
Marie Grogan Hales

Wigmaker:
Gérald Altenburg

Writer:
Karen Walton

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.