A work in constant progress (and occasional regress).
Release Date:
April 17, 2008
Original Title:
Forgetting Sarah Marshall
Alternate Titles:
Cómo Sobrevivir a Mi Ex
Cómo sobrevivir a mi ex?
Dumpet av Sarah Marshall
Non mi scaricare
Ressaca de Amor
Забути Сару Маршал
寝取られ男のラブ・バカンス
Genres:
Comedy | Drama | Romance
Production Companies:
Apatow Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: MA15+ BR: 16 CA: 18A CH: 12 CZ: 15+ DE: 12 GB: 15 HU: 18 IE: 18 JP: R18+ LT: N-13 NL: 12 PL: 18 PT: M/12 RO: 15 US: R
Runtime: 111
When Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter's world comes crashing down. His best friend suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful Rachel Jansen, Peter is shocked to see not only Aldous Snow in Hawaii, but also Sarah Marshall.
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"B" Camera Operator:
Jerome Fauci
ADR Mixer:
Greg Steele
ADR Recordist:
Greg Zimmerman
ADR Supervisor:
Tammy Fearing
ADR Voice Casting:
Wendy Hoffmann
Art Department Coordinator:
Jennifer Möller
Art Direction:
Bill Matthews
Scott Meehan
Assistant Accountant:
Carole Humphreys
Assistant Editor:
Brian Scott Olds
Assistant Property Master:
Doug DuRose
Best Boy Electric:
Timothy Hedgecock
Best Boy Grip:
Robert Chinello
Boom Operator:
Kraig Kishi
Cableman:
Chet Leonard
Camera Operator:
Casey Hotchkiss
Casting:
Jeanne McCarthy
Casting Assistant:
Leslie Woo
Casting Associate:
Nicole Abellara Hallman
Construction Coordinator:
John H. Samson
Construction Foreman:
Damon Hight
Costume Design:
Leesa Evans
Costume Supervisor:
Suzanne Cranfill
Dialogue Editor:
James Matheny
Larry Kemp
Digital Intermediate Producer:
Jimmy Fusil
Director:
Nicholas Stoller
Director of Photography:
Russ T. Alsobrook
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Michael Wahl
Editor:
William Kerr
Electrician:
Samantha Bahramian
Hector Corona
Daniel L. Magat
Robert Murphy
Jason Young
Executive Producer:
Richard Vane
Rodney Rothman
Extras Casting:
Rich King
First Assistant "A" Camera:
Jason Garcia
First Assistant "B" Camera:
Jeff Graham
First Assistant Director:
Gary Marcus
First Assistant Editor:
Dov Samuel
First Assistant Sound Editor:
Cherie Tamai
Foley Artist:
Andy Malcolm
Goro Koyama
Foley Editor:
Joe Schiff
Roy Seeger
Gaffer:
Curtis Bradford
Hairstylist:
Vickie Mynes
Key Costumer:
Grace Lambert Pyke
Molly Grundman-Gerbosi
Key Grip:
T. Daniel Scaringi
Key Hair Stylist:
Linda Arnold
Key Makeup Artist:
Tracey Levy
Leadman:
Brent Rice
Makeup Artist:
Desne J. Holland
Music Editor:
Jonathan Karp
Music Supervisor:
Jonathan Karp
Negative Cutter:
Gary Burritt
Orchestrator:
Lyle Workman
Original Music Composer:
Lyle Workman
Payroll Accountant:
Angela Randazzo
Post Production Accountant:
Missy Eustermann
Producer:
Shauna Robertson
Judd Apatow
Production Accountant:
Jan Dennehy
Production Coordinator:
Sarah Sprague
Production Design:
Jackson De Govia
Production Sound Mixer:
Richard Van Dyke
Production Supervisor:
Nadia Paine
Property Master:
Eugene McCarthy
Screenplay:
Jason Segel
Script Supervisor:
Brenda Lopez
Second Assistant "A" Camera:
Rigney Sackley
Second Assistant "B" Camera:
Dan Squires
Second Assistant Director:
Dawn Massaro
Second Second Assistant Director:
Chamonix Bosch
Second Unit Director:
Tim Trella
Set Buyer:
Peggy Casey
Set Costumer:
Hayley Stuppel
Michelle Margolis
Ariel Gold
Set Decoration:
K.C. Fox
Set Designer:
Alicia Maccarone
Phil Dagort
Set Dresser:
Cynthia C. Rebman
Sound Effects Editor:
Cindy Marty
Sound Re-Recording Mixer:
Orest Sushko
Adam Jenkins
Special Effects Coordinator:
Jon G. Belyeu
Stand In:
Jesse Heiman
Steadicam Operator:
Jerome Fauci
Still Photographer:
Glen Wilson
Stunt Coordinator:
Tim Trella
Stunts:
Natalie Bridgman
Michael Trisler
Danny Wynands
Brian L. Keaulana
Chuck 'Chaz' Hosack
Supervising Sound Editor:
George H. Anderson
Transportation Captain:
Tom Rebber
Transportation Coordinator:
William Ballard
Unit Production Manager:
Don Zepfel
D. Scott Easton
Unit Publicist:
Claire Raskind
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.