A work in constant progress (and occasional regress).
Release Date:
May 19, 2022
Original Title:
Forgive Us Our Trespasses
Genres:
Action | Drama | History
Production Companies:
Eclettica
Ratings / Certifications:
N/A
Runtime: 17
On the evening of 21 November 1974, the Provisional Irish Republic of Army carried out a terrorist attack in Birmingham (UK). It was recognised as the bloodiest attack in the Troubles England. This short film tells the “behind the scenes” of this attack, which hides a series of mistakes, delays and frictions within the same terrorist cell responsible for it.
Assistant Director:
Federico Fasulo
Assistant Director of Photography:
Elisa Fioritto
Salvatore Di Renzo
Arturo Brunetti
Assistant Set Designer:
Federico Trezzi
Best Boy Grip:
Giacomo Tello
Camera Operator:
Callum Beagly
Color Grading:
Rosario Balestrieri
Costume Design:
Giulia Vismara
Data Management Technician:
Alessandro Zucchelli
Alessandro Cannarozzi
Director:
Lorenzo Maria Chierici
Director of Photography:
Eleonora Contessi
Editor:
Alessandro Zucchelli
Electrician:
Clara Pompili
Mario Tesauro
Giacomo Ferraro
Giorgio Gorini
Francesco Colombo
Executive Producer:
Andrea Dotto
Matteo Occhipinti
Gaffer:
Daniele Coppa
Makeup Artist:
Alessandro Andreotti
Music:
Nico Palermo
Producer:
Lorenzo Maria Chierici
Riccardo Copreni
Matteo Occhipinti
Alessandro Zucchelli
Jhoni Vilca
Alberto Chierici
Production Assistant:
Jhoni Vilca
Annalisa Gandossi
Marina Esposito
Tommaso Diaceri
Sarah Rosignoli
Federico Iacopini
Elisa Cardello
Production Coordinator:
Riccardo Calvi
Set Designer:
Greta Gasparini
Chiara Lupi
Sound Designer:
Nico Palermo
Sound Recordist:
Gabriele Cardullo
Mattia Gaione
Story:
Lorenzo Maria Chierici
Michael Aherne
Story Editor:
Alberto Bordin
Transportation Captain:
Jhoni Vilca
Visual Effects:
Jari Brontesi
Writer:
Michael Aherne
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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