A work in constant progress (and occasional regress).
Release Date:
October 5, 2023
Original Title:
Chambre 999
Genres:
Documentary
Production Companies:
MK2 Films
Production Countries:
France
Ratings / Certifications:
HU: 12 KR: All
Runtime: 85
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Assistant Camera:
Elise Poulain Lacourt
Colorist:
Pierre Mazoyer
Director:
Lubna Playoust
Director of Photography:
Marine Atlan
Editor:
Nicolás Longinotti
Producer:
Rosalie Varda
Nathanaël Karmitz
Elisha Karmitz
Production Manager:
Etienne Rouillon
Ysé Mercury
Sound:
César Mamoudy
Sound Mixer:
César Mamoudy
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.