A work in constant progress (and occasional regress).
Original Title:
We Are Zama Zama
Genres:
Documentary
Production Companies:
RoCam Productions
Production Countries:
South Africa
Ratings / Certifications:
N/A
Runtime: 73
In South Africa’s abandoned mines, men scrabble for gold, using hand hammers and bicycle head-lamps, often remaining underground for days, often without food. Their survival is dependent on their hands – and luck. They are gamblers, or Zama Zama, who hope to scrounge a living from exhausted veins despite crumbling mineshafts and criminal overlords because at home in Zimbabwe they have nothing, there is nothing. The video footage is shot by miners with GoPros and in spite of harrowing conditions, we see uplifting camaraderie, caring collaboration and inspiring good cheer, as we are taken into their subterranean lives, guided by director-producer-anthropologist Rosalind Morris. Above ground, they smile. Gangsters prey on them, and the women cough from the glass-like dust of the rocks they crush by hand. But still they smile. An extraordinary story of human endurance, not to be missed.
Cinematography:
Ebrahim Hajee
Director:
Rosalind Morris
Editor:
Pascal Troemel
Music:
Mar Heredia
Lee Salevan
Producer:
Rosalind Morris
Sound Designer:
Musa Radebe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.