A work in constant progress (and occasional regress).
Release Date:
January 1, 1979
Original Title:
Split Decision
Genres:
Animation | Drama
Production Companies:
Millennium Film Workshop
New York State Council on the Arts
The Committee on Visual Arts
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.
Assistant Camera:
Pamela Yates
Assistant Director:
Kathleen King
Camera Operator:
Tom Siegel
Director:
Bill Brand
Lighting Technician:
Felix Kutlik
Producer:
Lauren Abrams
Mike Dooley
Barbara Mayfield
Gloria Norris
Bruce Bixler
Sound Recordist:
Helene Kaplan
Mike Penland
Still Photographer:
Ruth Hardinger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.