A work in constant progress (and occasional regress).
Release Date:
August 6, 2004
Original Title:
Torapia
Genres:
Comedy
Production Companies:
Aurum Producciones
Production Countries:
Spain
Ratings / Certifications:
ES: 12
Runtime: 100
Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.
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3D Supervisor:
Gonzalo Carrión
Assistant Camera:
Saturnino Beltrán
Assistant Editor:
Pablo Blanco Guzmán
Assistant Makeup Artist:
Paula Cruz
Boom Operator:
Coque F. Lahera
CG Artist:
Juanjo González
Digital Compositors:
Carmen García
Director:
Karra Elejalde
Director of Photography:
Kiko de la Rica
Dolby Consultant:
Jaume Puig
Editor:
Pablo Blanco
First Assistant Sound Editor:
Álex F. Capilla
Foley Mixer:
Patrick Ghislain
Original Music Composer:
Bingen Mendizábal
Production Accountant:
Enric Llopis
Production Assistant:
Ramón Alonso
Production Coordinator:
Lucía del Río
Production Manager:
Pepe Ripoll
Production Secretary:
Carmen Mestre
Second Assistant Camera:
M. Emilia Castañeda
Second Assistant Director:
Ana Hernando
Sound Assistant:
Paco Alonso Perdiguero
Sound Editor:
Pelayo Gutiérrez
Steadicam Operator:
Arturo Aldegunde
Still Photographer:
Luigi Martin
Storyboard Artist:
Guillermo Navajo
Stunt Double:
Cuco Usín
Stunts:
Álvaro Hernández Arriero
Third Assistant Director:
Guillermo Navajo
Unit Production Manager:
Emilio Giménez
Video Assist Operator:
Marta Murcia
Writer:
Karra Elejalde
Carlos Zabala
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.