A work in constant progress (and occasional regress).
Release Date:
March 24, 1981
Original Title:
The Godfather 1901–1959: The Complete Epic
Alternate Titles:
Mario Puzo's The Godfather: The Complete Epic 1901-1959
The Godfather 1902–1959: The Complete Epic
The Godfather Epic
Genres:
Crime | Drama
Production Companies:
Albert S. Ruddy Productions
Coppola Productions
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 386
The Godfather 1901–1959: The Complete Epic is a reduced, 386-minute version of the 1977 television miniseries, "Mario Puzo's The Godfather: The Complete Novel for Television," released to video in 1981. Unlike the miniseries, which was presented in four segments (each with opening and closing credits), the Epic is presented as a single segment. In January 2016, HBO aired the Epic in its uncut and uncensored format, later making it available on its streaming platforms. The HBO showing contained most of the known deleted scenes, thereby lengthening the runtime of the Epic from its video release to 423 minutes.
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Additional Music:
Carmine Coppola
Art Direction:
Warren Clymer
Angelo P. Graham
Assistant Director:
Fred Gallo
Newt Arnold
Associate Producer:
Mona Skager
Conductor:
Carlo Savina
Carmine Coppola
Costume Designer:
Anna Hill Johnstone
Theadora Van Runkle
Director:
Francis Ford Coppola
Director of Photography:
Gordon Willis
Editor:
William Reynolds
Peter Zinner
Barry Malkin
Richard Marks
Hair Designer:
Philip Leto
Naomi Cavin
Makeup Artist:
Dick Smith
Phillip Rhodes
Charles H. Schram
Music Editor:
George Brand
Original Music Composer:
Nino Rota
Producer:
Gray Frederickson
Fred Roos
Albert S. Ruddy
Francis Ford Coppola
Production Design:
Dean Tavoularis
Production Manager:
Fred C. Caruso
Michael S. Glick
Screenplay:
Francis Ford Coppola
Mario Puzo
Second Assistant Director:
Henry J. Lange Jr.
Charles Myers
Michael Kusley
Alan Hopkins
Burt Bluestein
Set Decoration:
Philip Smith
George R. Nelson
Sound Effects Editor:
Howard Beals
James Fritch
James J. Klinger
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.