A work in constant progress (and occasional regress).
Release Date:
May 4, 2022
Original Title:
Scariest Monsters in America
Genres:
Documentary | Horror | TV Movie
Production Companies:
Mock Yeah Productions
Streetcar Entertainment
Ratings / Certifications:
N/A
Runtime: 85
In each U.S. state, stories of monsters living amongst us have been used to scare children and warn sinners away from misbehavior. But which of these bogeymen brings the biggest fright? In the two-hour Tubi special SCARIEST MONSTERS IN AMERICA, we’re counting down the top ten creatures in the country. From a horrifying home invader to a cunning cannibal, we’ll uncover evidence of each larger-than-life beast to determine, once and for all, which monster is the most deserving of state bragging rights.
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Assistant Camera:
Kelly Grzasko
Carrie Morgan Glassman
Kelly Myers
Preston Millhouse
Assistant Editor:
Zack Phillips
Hannah Renfroe
Chris Albiston
Associate Producer:
Tara Halley
Kelsey Chidester
Maridan Burgess
Director of Photography:
Bryan Willman
Rex Short
David McCauley
Todd Sheridan
Editor:
Lindsay Kravoltez
Rebekah Druszkowski
Charles MacDonald
Kyle Hartman
Steve Pomerantz
Executive Producer:
Maggie Mock
Michael Welsh
Robert Twilley
Graphic Designer:
Marissa Hyder
Lead Editor:
Nick Grahl
Location Sound Mixer:
Carlos Aranguren
Kevin J. Getchius
Cameron Moore
Alan Chow
Music:
Figure and Groove
Auralation
Strike Audio
Online Editor:
Justin Hardison
Post Producer:
Kordell Young
Steven Powell
Faun Mann
Producer:
Quay Bowen
Karen Daniel
Production Assistant:
Kenny Williams
Leonard Freeny
Oleksandra Ranchuk
Kin Chow
Production Coordinator:
Josh Ramirez Kolthoff
Production Manager:
Tameca Montez
Alyssa Novak
Supervising Producer:
Victoria Drew Duley
Visual Effects:
Jacob Jackson
Writer:
Adam Meyer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.