A work in constant progress (and occasional regress).
Release Date:
December 3, 1999
Original Title:
Sweet and Lowdown
Alternate Titles:
Acords i desacords
Tekkelig og tarvelig
甜蜜與卑微
Genres:
Comedy | Drama | Music
Production Companies:
Jean Doumanian Productions
Magnolia Productions
Sony Pictures Classics
Sweetland Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CZ: 12+ US: PG-13
Runtime: 95
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Christian Halac
Josh Wick
Jon Kaloudis
Art Direction:
Tom Warren
Assistant Accountant:
Abby Bailey
Assistant Art Director:
Paul Robinson
Beth Kuhn
David Stein
Hyun-joo Kim
Assistant Costume Designer:
Bobby Frederick Tilley
Heather Priest
Assistant Editor:
Sara Corrigan
Sheri Bylander
Assistant Location Manager:
Tom Yeager
Assistant Production Coordinator:
Jennifer Silverman
Assistant Property Master:
Robin McAllister
Assistant Set Decoration:
Regina Graves
Assistant Sound Editor:
Kate Eales
Melanie Ryder
Best Boy Electric:
Jack Coffen
Best Boy Grip:
Bob Brennan
Boom Operator:
Neil Riha
Camera Loader:
A. Lee Morris
Camera Operator:
Michael Green
Casting:
Laura Rosenthal
Juliet Taylor
Casting Assistant:
Sarah Allentuch
Casting Associate:
Patricia Kerrigan DiCerto
Co-Executive Producer:
Letty Aronson
Charles H. Joffe
Jack Rollins
Co-Producer:
Richard Brick
Construction Coordinator:
Ron Petagna
Costume Design:
Laura Bauer
Craft Service:
Debora Fearon
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Zhao Fei
Dolby Consultant:
Bradford L. Hohle
Editor:
Alisa Lepselter
Executive Producer:
J.E. Beaucaire
First Assistant Camera:
Gary Muller
First Assistant Director:
Richard Patrick
Foley Artist:
Marko Costanzo
Jay Peck
Foley Editor:
Bruce Pross
Frank Kern
Foley Recording Engineer:
George A. Lara
Gaffer:
Michael Proscia Jr.
Hairstylist:
Milton Buras
Stephen G. Bishop
Head Carpenter:
Frank Didio
Key Grip:
George Patsos
Key Scenic Artist:
James Sorice
Leadman:
Daniel K. Grosso
Location Assistant:
Michael Anthony
Christie Mullen
Kim Noble
Steven Weisberg
Michael McBrien
Location Manager:
Drew Dillard
Location Production Assistant:
Jessica Glass
Kate Siamon
David Brotsky
Makeup Artist:
Rosemary Zurlo
Eva Polywka
Music:
Dick Hyman
Post Production Assistant:
Katy Kei Cunningham
Post Production Coordinator:
Katherine Belsey
Producer:
Jean Doumanian
Producer's Assistant:
Meredith Garlick
Production Accountant:
Pietro Lorino, Jr.
Production Coordinator:
Kimberly N. Fajen
Production Design:
Santo Loquasto
Production Secretary:
Ramsey Fong
Production Sound Mixer:
Les Lazarowitz
Projection:
Carl Turnquest
Property Master:
Peter Gelfman
Scenic Artist:
Cliff Schorr
Margot Therre
Screenplay:
Woody Allen
Script Supervisor:
Kay Chapin
Second Assistant Camera:
David E. Baron
Second Assistant Director:
Lisa Janowski
Second Second Assistant Director:
Brian A. York
Set Decorating Coordinator:
Jessica A. Milstein
Set Decoration:
Jessica Lanier
Set Production Assistant:
Patrick McMahon
Kiersten Pilar Miller
Colin MacLellan
Sarah Rae Garrett
Alex Fernandez
Jason Rubenstein
Sign Painter:
Mark Bachman
Sound Effects Editor:
Glenfield Payne
Sound Re-Recording Mixer:
Lee Dichter
Sound Recordist:
Frank Graziadei
Special Effects Coordinator:
Ron Ottesen
John Ottesen
Still Photographer:
John Clifford
Stunt Coordinator:
Peter Bucossi
Stunts:
Norman Douglass
Supervising Sound Editor:
Robert Hein
Transportation Captain:
Edward Iacobelli
Unit Production Manager:
Margo Myers
Richard Brick
Visual Effects Producer:
Camille Geier
Visual Effects Supervisor:
Thomas Rosseter
Wardrobe Assistant:
Jennifer Newman
Elizabeth Roles
Wardrobe Supervisor:
Suzanne Pettit
Barrett Hong
Wigmaker:
Robert Kushner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.