A work in constant progress (and occasional regress).
Featuring:
Bob Hope, Paulette Goddard, Edward Arnold
Written by:
Don Hartman
Ken Englund
James Montgomery
Directed by:
Elliott Nugent
Release Date:
October 10, 1941
Original Title:
Nothing But the Truth
Genres:
Comedy
Production Companies:
Paramount
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 90
Gwen Saunders teams up with her uncle's employee, Steve Bennett, in an attempt to double her $10,000 investment in the family firm. If she can reach the $20,000 mark, her uncle, T.T. Ralston, will match the figure. Steve bets that if he can spend an entire day without telling a lie, Ralston and his business partners must double Gwen's money. Bennett then earns the enmity of everyone involved in his attempt to win the bet.
Stockbroker T.T. Ralston has promised his niece Gwen to double it if she can raise $20,000 for charity. But he connives so those she asks refuse to give her more than the $10,000 she's already raised. Gwen secretly gives T.T.'s new partner Steve Bennett the $10,000 and asks him to double it. Later in a discussion with T.T., business partner Dick and client Van, about truth in business Steve bets the $10,000 that he can tell the truth for 24 hours. Having already accepted an invitation for a weekend on T.T.'s houseboat, Steve is subjected to 24 hours of attempts to get him to lie or divulge the bet, which would lose him (and Gwen) the $10,000.
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Art Direction:
Robert Usher
Hans Dreier
Costume Design:
Edith Head
Director:
Elliott Nugent
Director of Photography:
Charles Lang
Editor:
Alma Macrorie
Executive Producer:
Buddy G. DeSylva
Music:
Leo Shuken
Novel:
Frederic S. Isham
Original Music Composer:
Victor Young
Producer:
Arthur Hornblow Jr.
Screenplay:
Ken Englund
Don Hartman
Sound Recordist:
Philip Wisdom
Richard Olson
Theatre Play:
James Montgomery
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.