A work in constant progress (and occasional regress).
Release Date:
October 25, 2023
Original Title:
Second Tour
Alternate Titles:
Second Round
Бійка президентів. Другий тур
Genres:
Comedy
Production Companies:
ADCB Films
CNC
Canal+
Ciné+
Cofimage
France 2 Cinéma
France Télévisions
La Banque Postale Image
La Région Île-de-France
Logical Content Ventures
Manchester Films
Pathé
Stadenn Productions
Production Countries:
France
Ratings / Certifications:
CH: 12
Runtime: 95
A disgraced political journalist placed in the soccer section, Miss Pove is asked to follow the presidential campaign in progress. The front-runner is a fifty-year-old heir to a powerful French family and a political novice. Troubled by this candidate, whom she has known to be less smooth in the past, Miss Pove embarks on an investigation that is as surprising as it is jubilant.
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Assistant Camera:
Gaspard Soboul
Assistant Costume Designer:
Solène Verdon
Casting:
Anaïs Duran
Colorist:
Natacha Louis
Compositing Supervisor:
Jeremy Pierre
Compositor:
Cyprien Huet
Costume Design:
Mimi Lempicka
Costumer:
Léonie Avignon
Dialogue Editor:
Julien Bourdeau
Digital Compositor:
Léo Natta
Director:
Albert Dupontel
Director of Photography:
Julien Poupard
Editor:
Christophe Pinel
Extras Casting Assistant:
Pierre Colse
Music:
Christophe Julien
Producer:
Catherine Bozorgan
Production Design:
Mathieu Junot
Property Master:
François Borgeaud
Second Assistant Director:
Alexandra Gayzal
Sound Re-Recording Mixer:
Cyril Holtz
Damien Lazzerini
Special Effects Supervisor:
Jérome Miel
Special Effects Technician:
Alexis Blanc
Max Garnier
Sara Helminger
Stunt Coordinator:
Julien Bruant
Stunt Double:
Ben Milord
Stunts:
Adrien Jeunemaitre
Swing:
Louis Duru
Visual Effects Coordinator:
Julie Dijoux
Visual Effects Producer:
Diego Cordier-Royer
Visual Effects Supervisor:
Cédric Fayolle
Sébastien Nebout
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.