A work in constant progress (and occasional regress).
Release Date:
January 17, 1986
Original Title:
Lola
Genres:
Drama
Production Companies:
Fígaro Films
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 106
Lola is a young woman who works in a factory. She lives a violent and tormented love with Mario. To get away from him, Lola moved to Barcelona. There he met Robert, CEO of a major company, with whom she starts a relationship.
Assistant Camera:
Teresa Burgos
Germán Lázaro
Assistant Director:
Alexandra Palau
Rosa Vergés
Assistant Editor:
Marisa Aguinaga
Margarita Oliver
Assistant Hairstylist:
Núria Gómez
Assistant Makeup Artist:
Pilar Feito
Satur Merino
Assistant Production Manager:
Ana Alonso
Assumpta Cabré
Juan Lloveras
Assistant Set Decoration:
Xavier Prat
Antonio Rabaneda
Camera Operator:
Francesc Garcot
Casting:
Consol Tura
Construction Coordinator:
Francisco García
Costume Design:
Purificación García
Director:
Bigas Luna
Director of Photography:
Josep M. Civit
Editor:
Ernest Blasi
Electrician:
Antoni Torruella
Executive Producer:
Enrique Viciano
Focus Puller:
Xavier Gil
Foley Artist:
Toni Cendrós
Gaffer:
Ramon Ferre
Graphic Designer:
Francisco Teres
Grip:
Jesús Pelegrín
Hairstylist:
Hilario Hernández
Makeup Artist:
Joaquín Navarro
Music:
José Manuel Pagán
Post-Production Manager:
Enric Calvó
Production Design:
Felipe de Paco
Production Manager:
Lluís Puig
Screenplay:
Bigas Luna
Luis Herce
Enrique Viciano
Script Supervisor:
Núria Casanueva
Seamstress:
Laura Martí
Sound:
Joan Quilis
Sound Re-Recording Mixer:
Ricard Casals
Steadicam Operator:
Carlos Cabeceràn
Still Photographer:
Esther Planas
Storyboard Artist:
José Belles
Wardrobe Master:
Consol Tura
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.