She Went Missing (2022) [PG-13]

Release Date:
April 9, 2022

Original Title:
She Went Missing

Genres:
Drama | TV Movie | Thriller

Production Companies:
CMW Summer Productions

Production Countries:
Canada | United States of America

Ratings / Certifications:
US: PG-13 

Runtime: 85

When investigative reporter Maya learns that her childhood best friend has gone missing, she decides to cover the story herself. But just as her return to her hometown unearths memories and rekindles past relationships, it also brings a long dormant (and still totally unknown) stalker that she had years ago. As her investigation deepens, the danger strikes closer and closer to home. Will she uncover the truth about her friend’s disappearance? Or will Maya herself wind up being the next tragic news story?

Additional information:

The Search Form


"A" Camera Operator:
Maximilian Brey

"B" Camera Operator:
Raivo Kruze

Accountant:
Tejinder Bansal

Additional Editor:
Flavio Bidese

Art Direction:
Alejandro García

Assistant Editor:
Jean Wharf-Garcia

Assistant Location Manager:
Christopher-James Jeffrey

Assistant Production Coordinator:
Tom Sloboda

Background Casting Director:
L.A. Hilts

Best Boy Electric:
Dylan Holm

Best Boy Grip:
Alec David Campbell

Boom Operator:
Alonso Lozano Arellano
Doryan Heijnen

Casting:
Ann Forry
Gina Gallego

Casting Associate:
Michael Lundin

Colorist:
Achim Kapitza

Costume Design:
Jennifer Bibera

Costume Set Supervisor:
Megan Nicols

Creative Producer:
Amelia Burstyn

Director:
Danny J. Boyle

Director of Photography:
Raivo Kruze

Dolly Grip:
Keith Granger

Editor:
Michael P. Vidler

Electrician:
Joe Lidderdale
Aaron Hiebert

Executive Producer:
Tom Berry
Linda Stregger
Breanne Laplante
Sebastian Battro
Barbara Fisher

First Assistant "A" Camera:
Ernest Ng
Ethan Johnson

First Assistant "B" Camera:
Talia Adora

First Assistant Director:
Michael Bishop

Gaffer:
Justin Uitto

Generator Operator:
Derrick Garland

Graphic Designer:
Chloe Dace

Grip:
Andrew Sharples

Hairstylist:
Krystal Cozier

Key Grip:
Sean Rodney

Key Makeup Artist:
Beverley Wong
Lydia Kuhnert

Location Manager:
Al Dales

Makeup & Hair:
Maria José Lara

Music:
Cameron Catalano

Payroll Accountant:
Jazz Jovic

Post Production Assistant:
Eric Hoce

Post Production Supervisor:
Jay Pardy
Taylor Lennox

Producer:
Chester Sit

Production Accountant:
Daria Kogan

Production Coordinator:
Tania Escamilla Garduno

Production Design:
Wayne Elliott

Production Manager:
Chris Langford

Property Master:
Robert O'Donnell

Props:
Corrado DI Bello

Script Coordinator:
Javier Porragas

Script Supervisor:
Joshua Bateman

Second Assistant "A" Camera:
Dallis Swiatek

Second Assistant "B" Camera:
Jingjing Liang
Eugene Chok

Second Assistant Director:
John-John Traoré

Security Coordinator:
Sean Hanlin

Set Decoration:
Anita Diaz

Set Dresser:
Niki Backman
William David White
Stephanie Tricco
Katherine Anes

Sound Mixer:
Charles Adams

Sound Re-Recording Mixer:
Randy Kiss
Michael MacDonald

Still Photographer:
Angel Lynne

Stunt Double:
Coulton Jackson
Adiam Haddish Asrat

Third Assistant Director:
Rob Guthrie
Kathleen Lee

Transportation Captain:
Dan Moland

Transportation Coordinator:
Dean Fitzpatrick

Truck Supervisor:
Robin Metcalfe

Writer:
Aurora Ferlin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.