Coming to America (1988) [R]

Release Date:
June 29, 1988

Original Title:
Coming to America

Alternate Titles:
El príncipe de Zamunda
El príncipe de Zamunda: buscando a la mujer ideal
Hoshi no Ôji Nyûyôku e iku
O prigkipas tis Zamounta
O prigkipas tis Zamunda
O pringipas tis Zamunda
Prints Zamundast
Um Príncipe em Nova York

Genres:
Comedy | Romance

Production Companies:
Eddie Murphy Productions
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: L  DE: 12  ES: APTA  FR: U  GB: 15  GR: 12  HU: 18  IE: 15  IT: T  PL: 18  RO: AP  RU: 6+  SE: 7  US: R 

Runtime: 117

This summer, Prince Akeem discovers America.

An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Additional Second Assistant Director:
Charles Brescia

Art Direction:
Richard B. Lewis
Christopher Nowak

Assistant Art Director:
Carole Lee Cole

Assistant Camera:
Madelyn Most

Assistant Chief Lighting Technician:
Ed Cooper

Assistant Costume Designer:
Kelly Kimball

Assistant Editor:
John Haggar

Assistant Hairstylist:
William Howard

Assistant Makeup Artist:
Marie Carter

Assistant Property Master:
Stan Cockerell

Assistant Sound Editor:
Spike Allison Hooper

Associate Producer:
David Sosna

Boom Operator:
Louis Sabat

Carpenter:
Marc Fambro

Casting:
Jackie Burch

Casting Assistant:
Ferne Cassel

Chief Lighting Technician:
John W. DeBlau

Choreographer:
Paula Abdul

Color Timer:
Bob Noland

Construction Coordinator:
Jerry Fitzpatrick

Construction Foreman:
William Apperson

Costume Design:
Deborah Nadoolman

Costume Supervisor:
Francine Jamison-Tanchuck

Craft Service:
Eddie Jones

Director:
John Landis

Director of Photography:
Sol Negrin
Woody Omens

Dolly Grip:
Jon Falkengren

Driver:
Patrick Hogan

Editor:
Malcolm Campbell
George Folsey Jr.

Electrician:
Richie Ford

Executive Producer:
Leslie Belzberg
Mark Lipsky

Extras Casting Assistant:
Rae Lockett

First Assistant Camera:
Ken Fisher

First Assistant Director:
David Sosna

First Company Grip:
Dennis Gamiello

Foley Mixer:
Dean Drabin

Generator Operator:
Joseph Banks

Greensman:
Philip C. Hurst

Grip:
Bruce Atwater

Location Assistant:
Chris Schutsky

Location Manager:
Charles Miller

Makeup Artist:
Rolf John Keppler
Rick Baker

Makeup Effects:
Rick Baker

Music Editor:
Daniel Allan Carlin

Original Music Composer:
Nile Rodgers

Producer:
George Folsey Jr.
Robert D. Wachs

Production Accountant:
Janet L. Wattles

Production Assistant:
Martha Appel

Production Coordinator:
Terry Ladin

Production Design:
Richard Macdonald

Production Secretary:
Ginny Warner

Property Master:
Gregg H. Bilson

Rigging Grip:
Michael T. James

Scenic Artist:
Edward Garzero

Screenplay:
David Sheffield
Barry W. Blaustein

Second Assistant Camera:
Joseph Cosko Jr.

Second Assistant Director:
Richard Patrick

Second Company Grip:
Brian Fitzsimons

Second Second Assistant Director:
Tomaz Remec

Set Decoration:
Cheryal Kearney
Dan von Blomberg

Set Designer:
R. Gilbert Clayton

Set Dressing Artist:
Gerald DeTitta

Set Medic:
Greg Knapp

Sound Editor:
Mike Dobie

Sound Mixer:
William B. Kaplan

Sound Recordist:
Frank Graziadei

Special Effects Supervisor:
Danny Cangemi

Still Photographer:
Bruce McBroom

Story:
Eddie Murphy

Story Editor:
Brian Stewart

Stunt Coordinator:
John Sherrod

Stunt Double:
Carlton Holder

Stunts:
Lindell Blake

Supervising ADR Editor:
James Beshears

Supervising Sound Editor:
Paul Timothy Carden

Swing:
Richard Evans

Transportation Coordinator:
Cary Kelley

Unit Production Manager:
Michael Tadross

Unit Publicist:
Saul Kahan

Utility Stunts:
John Ashby

Wardrobe Supervisor:
Bill Christians

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.