A work in constant progress (and occasional regress).
Release Date:
October 4, 2012
Original Title:
A República di Mininus
Alternate Titles:
La République des enfants
La república de los niños
Genres:
Drama | Fantasy | War
Production Companies:
Filmes do Tejo II
Les Films de l'Après-Midi
Neue Mediopolis Filmproduktion
RTP
Saga Film
Telecine Bissau Produções
Production Countries:
Belgium | France | Germany | Guinea-Bissau | Portugal
Ratings / Certifications:
N/A
Runtime: 78
In a war-torn African country, a small group of young people, led by Mão-de-Ferro, a traumatized and violent war child, arrive in a mysterious city where children, abandoned by adults, have created their own utopian republic.
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Art Direction:
Jan Müller
Assistant Director:
Boaventura Mausse
Casting:
Guilherme Mendonça
Co-Producer:
Alexander Ris
Hubert Toint
Jean-Jacques Neira
Petra Hengge
Color Grading:
Paul Englebert
Construction Coordinator:
Falk Wenzel
Director:
Flora Gomes
Director of Photography:
João Ribeiro
Editor:
Dominique Pâris
Executive Producer:
Pedro Pimenta
First Assistant Director:
Ângela Sequeira
Foley Artist:
Marie-Jeanne Wychmans
Foley Recording Engineer:
Marina Lerchs
Gaffer:
Paulo Silva
Hair Designer:
Abigail Machado
Makeup Designer:
Abigail Machado
Original Music Composer:
Papa Oumar Ngom
Youssou N'Dour
Post Production Coordinator:
Manoëlle van Grunderbeeck
Producer:
François d'Artemare
Maria João Mayer
Production Coordinator:
Franziska Pfeiffer
Production Design:
Tim Pannen
Production Director:
Joana Synek
Marie-Noëlle Hauville
Jacques Arhex
Property Master:
Michael Kalden
Screenplay:
Franck Moisnard
Flora Gomes
Script Supervisor:
Ana Patricia Silva
Second Assistant Director:
Dino Estrelinha
Sound Editor:
Jean-Noël Yven
Alexandre Hecker
Sound Engineer:
Pierre Donnadieu
Sound Mixer:
Luc Thomas
Special Effects:
Gerhard van der Heever
Special Effects Supervisor:
Paul Englebert
Still Photographer:
João Manuel 'Funcho' Costa
Third Assistant Director:
Inadelso Cossa
Wardrobe Supervisor:
Oumou Sy
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.