A work in constant progress (and occasional regress).
Release Date:
May 20, 2022
Original Title:
Mi país imaginario
Alternate Titles:
Cile - Il mio paese immaginario
Mon Pays imaginaire
My Imaginary Country
Genres:
Documentary
Production Companies:
ARTE France Cinéma
Atacama Productions
Market Chile
Production Countries:
Chile | France
Ratings / Certifications:
NL: 12
Runtime: 83
This documentary explores the protests that exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities.
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Additional Editor:
Emmanuelle Joly
Assistant Editor:
Marie Pascaud
Co-Producer:
Olivier Perez
Alexandra Galvis
Colorist:
Kevin Stragliati
Coordinating Producer:
Chepo Sepulveda
Dialogue Editor:
Aymeric Dupas
Director:
Patricio Guzmán
Director of Photography:
Samuel Lahu
Editor:
Laurence Manheimer
Executive Producer:
Benjamin Lanlard
Foley Artist:
Grégory Vincent
Music:
Miguel Miranda
José Miguel Tobar
Producer:
Renate Sachse
Sound Editor:
Claire Cahu
Sound Engineer:
Juan Carlos Maldonado
Aymeric Dupas
Sound Mixer:
Isaac Moreno
Sound Re-Recording Mixer:
Aymeric Dupas
Sound Recordist:
Juan Carlos Maldonado
Writer:
Patricio Guzmán
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.