A work in constant progress (and occasional regress).
Release Date:
March 22, 2023
Original Title:
Dalva
Alternate Titles:
Dalva
L'amour selon Dalva
Tapt barndom
愛的缺口
러브 달바
Genres:
Drama
Production Companies:
ARTE France Cinéma
Hélicotronc
Proximus
RTBF
Shelter Prod
Tripode Productions
Production Countries:
Belgium | France
Ratings / Certifications:
GB: 15 SE: 15
Runtime: 83
One evening, Dalva is suddenly taken away from her father’s house. Dumbfounded and outraged at first, she later meets Jayden, a social worker, and Samia, a teen with a temper. A new life seems to start for Dalva, that of a girl her age.
ADR Recordist:
Jean-Michel Beranger
ADR Supervisor:
Anais Letiexhe
Assistant Art Director:
Sarah Deweppe
Boom Operator:
Laurence Morel
Casting Assistant:
Eugénie Gaudel
Co-Producer:
Arlette Zylberberg
Sibylle Seys Smets
Tanguy Dekeyser
Olivier Père
Rémi Burah
Costume Designer:
Constance Allain
Dialogue Editor:
Selıa Çakir
Director:
Emmanuelle Nicot
Director of Photography:
Caroline Guimbal
Editor:
Suzana Pedro
Electrician:
Titien Velut
First Assistant Director:
Camille Servignat
Foley Artist:
Olivier Thys
Gaffer:
Jeremy Bourgois
Grip:
Cyrille Hermant
Key Hair Stylist:
Laetitia Hogday
Line Producer:
Stéphanie Pottier
Location Manager:
Jean-Baptiste Foucart
Makeup Department Head:
Saori Matsui
Music:
Frédéric Alvarez
Painter:
Laurie Crochelet
Alexis Abé
Jerôme Birti
Alberto Sebastiani
Producer:
Julie Esparbes
Delphine Schmit
Production Manager:
Marie Sonne-Jensen
Screenplay:
Emmanuelle Nicot
Script:
Bulle Decarpentries
Script Supervisor:
Agathe Hervieu
Sound Editor:
Valérie Le Docte
Sound Mixer:
Fabrice Osinski
Sound Re-Recording Mixer:
Aline Gavroy
Still Photographer:
Stéphanie Branchu
Stunt Coordinator:
Hugo Bariller
Visual Effects Coordinator:
Miklos Keleti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.