A work in constant progress (and occasional regress).
Release Date:
November 16, 2022
Original Title:
Du crépitement sous les néons
Genres:
Crime | Drama | Thriller
Production Companies:
Bonne Pioche Productions
Lip Productions
Logical Pictures
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 98
Two desperate characters search for freedom in action-packed road movie noir from FGKO, adapted from the thriller by Rémy Lasource.
ADR Recordist:
Harald Ballié
Additional Grip:
Octave Maria
Author:
Rémy Lasource
Boom Operator:
Thibaut Boulanger
Co-Producer:
Karina Megdiche
Fabrice Faure
Costume Design:
Joséphine Gracia
Costumer:
Arpiné Mosisyan
Dialogue Editor:
Harald Ballié
Director:
FGKO
Director of Photography:
Fabio Caldironi
Editor:
Jean-Christophe Bouzy
Electrician:
Louise Bernard Pallas
Julie Joumier
First Assistant Camera:
Jonas Gayraud
First Assistant Director:
Lucile Jacques
First Assistant Editor:
Clémence Lucas
Gaffer:
Pierre-François Ducrocq
Grip:
Darius Vernhes Delaunay
Dorian Rey
Hairstylist:
Delphine Giraud
Key Grip:
William Herrero
Makeup Artist:
Lorine Mouton
Music:
Pierre Lefeuvre
Producer:
Frédéric Fiore
Clément Renouvin
Yves Darondeau
David Meadeb
Emmanuel Priou
Production Supervisor:
Jean-Baptiste Guittard
Screenplay:
FGKO
Shérazade Khalladi
Script Supervisor:
Julie Dupeux-Harlé
Second Assistant Camera:
Victoria Massih
Second Assistant Director:
Thomas Pilorge
Sound:
Clara Savy
Sound Editor:
Timothée Bost
Sound Engineer:
Jean-Christophe Lion
Sound Re-Recording Mixer:
Benjamin Lecuyer
Sound Recordist:
Jean-Christophe Lion
Third Assistant Camera:
Claire Vilella
Third Assistant Director:
Faustine Chevrin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.