A work in constant progress (and occasional regress).
Featuring:
Dustin Hoffman, Jessica Lange, Teri Garr
Written by:
Don McGuire
Larry Gelbart
Murray Schisgal
Directed by:
Sydney Pollack
Release Date:
December 17, 1982
Original Title:
Tootsie
Alternate Titles:
Quando Ele Era Ela
Tootsie
Tutsi
Would I Lie to You?
Тутсi
杜丝先生
투씨
Genres:
Comedy | Romance
Production Companies:
Columbia Pictures
Delphi Films
Mirage
Mirage Enterprises
Punch Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: L DE: 6 FI: S FR: U GB: 15 HU: 18 IE: 15 JP: G KR: 15 PL: 18 US: PG
Runtime: 116
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.
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Internet Movie Database | 7.4/10 |
---|---|
Rotten Tomatoes | 91% |
Metacritic | 88/100 |
Awards Won: | Won 1 Oscar. 26 wins & 31 nominations total |
1998 #62 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2000 #2 |
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time |
2007 #69 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
Additional Writing:
Barry Levinson
Robert Kaufman
Robert Garland
Elaine May
Assistant Director:
David McGiffert
Joseph P. Reidy
Assistant Editor:
Don Brochu
Jill Savitt
Nancy Weizer
Boom Operator:
Tod A. Maitland
Casting:
Lynn Stalmaster
Sylvia Fay
Costume Design:
Ruth Morley
Costume Supervisor:
Bernie Pollack
Director:
Sydney Pollack
Director of Photography:
Owen Roizman
Driver:
Patrick Hogan
Editor:
Fredric Steinkamp
William Steinkamp
Executive Producer:
Charles Evans
Makeup Artist:
George Masters
Music Editor:
Else Blangsted
Original Music Composer:
Dave Grusin
Producer:
Sydney Pollack
Dick Richards
Ronald L. Schwary
Production Design:
Peter S. Larkin
Property Master:
Jimmy Raitt
Screenplay:
Larry Gelbart
Murray Schisgal
Script Supervisor:
Renee Bodner
Set Decoration:
Thomas C. Tonery
Sound Mixer:
Les Lazarowitz
Sound Re-Recording Mixer:
Les Fresholtz
Arthur Piantadosi
Rick Alexander
Still Photographer:
Brian Hamill
Story:
Larry Gelbart
Don McGuire
Title Designer:
Wayne Fitzgerald
Unit Production Manager:
Gerald R. Molen
Writer:
Elaine May
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.