A work in constant progress (and occasional regress).
Release Date:
October 20, 2022
Original Title:
1976
Alternate Titles:
1976
Chile ’76
Chili 1976
Genres:
Drama
Production Companies:
Cinestación
Invercine&Wood
Movimiento Audiovisual
Production Countries:
Argentina | Chile | Qatar | United States of America
Ratings / Certifications:
BR: 12 GB: 15 KR: 12 RO: 15
Runtime: 96
Chile, 1976. Carmen heads off to her beach house. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
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Art Direction:
Francisca Correa
Assistant Director:
Gwenn Joyaux
Waldo Salgado
Assistant Editor:
Josefina Pérez-García
Boom Operator:
Fernando Marín
Casting Director:
Mora Recalde
Manuela Martelli
Sebastián Videla
Co-Producer:
Nathalia Videla Peña
Juan Pablo Gugliotta
Colorist:
Maximiliano Pérez
Continuity:
Carolina Schilling
Digital Imaging Technician:
Pablo Valenzuela
Director:
Manuela Martelli
Director of Photography:
Soledad Rodríguez
Editor:
Camila Mercadal
First Assistant Camera:
Yanina Puntorello
Focus Puller:
José Izquierdo Leiva
Foley Artist:
Nicolas Mannara
Fernando Marín
Foley Recordist:
Alejandro Baldasso
Gaffer:
Camilo Peralta
Grip:
Pepe Blanco
Hairdresser:
Catalina Peralta
Valeria Goffreri
Hairstylist:
Lenny Gutierrez
Line Producer:
Wally Flores
Location Scout:
Andrés Eyzaguirre
Makeup Artist:
Valeria Goffreri
Catalina Peralta
Makeup Department Head:
Pamela Archetti
Original Music Composer:
Mariá Portugal
Producer:
Omar Zúñiga Hidalgo
Dominga Sotomayor
Andrés Wood
Alejandra García
Production Design:
Francisca Correa
Estefania Larrain
Property Master:
Genesis Rodríguez
Second Assistant Camera:
Evgeniia Rylova
Luciano Hormazábal
Second Assistant Director:
María José Concha
Set Decoration:
Héctor Morales
Sound Designer:
Jesica Suárez
Sound Director:
Andrés Polonsky
Mercedes Tennina
Sound Recordist:
Andrés Polonsky
Mercedes Tennina
Third Assistant Director:
Sebastián Videla
Video Assist Operator:
Azul Castillo
Wardrobe Master:
Pilar Calderon
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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