A work in constant progress (and occasional regress).
Release Date:
October 16, 1992
Original Title:
Candyman
Alternate Titles:
Candyman : Le Spectre Maléfique
Candyman, El Dominio de la Mente
Candyman, el dominio de la mente
Clive Barker's Candyman
Κάντιμαν
Кондитер
Кэндимен
Genres:
Drama | Horror | Thriller
Production Companies:
Candyman Films
PolyGram Filmed Entertainment
Propaganda Films
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 DE: 18 FR: 16 GB: 18|15 HU: 18 IE: 18 KR: 18 NL: 16 SE: 15 US: R
Runtime: 100
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
ADR Mixer:
Charleen Richards-Steeves
Scott Ganary
ADR Recordist:
Allan Bond
ADR Voice Casting:
Barbara Harris
Additional Camera:
Michael Ferris
Administration:
Sharon Ainsberg
Art Department Assistant:
Jaimie Sarra
Art Department Coordinator:
Douglas Morton
Art Direction:
Bernard Rose
Assistant Art Director:
Maria C. Connors
Andy Werderitsch
Chris Anthony Miller
Max Jones
Assistant Costume Designer:
Gail McMullen
Assistant Dialogue Editor:
Jeremy Pitts
Assistant Set Decoration:
Wendy Weaver
Assistant Sound Editor:
Hayden Clement
Flavia Amon
Best Boy Electric:
Huston Beaumont
Don Tomei
Best Boy Grip:
Ellis M. James
Bill Riley
Boom Operator:
Robert Polich
Oliver Euckner
Camera Loader:
Gary Wills
Timberlake Lewis
Casting:
Jason La Padura
Jane Alderman
Costume Design:
Leonard Pollack
Dialogue Editor:
Peter S. Carlstedt
Director:
Bernard Rose
Director of Photography:
Anthony B. Richmond
Dolby Consultant:
Steve F.B. Smith
Dolly Grip:
Peter Aranda
Rob Forrest
Editor:
Dan Rae
Electrician:
Tim Silverberg
Michael Sudmeier
Jeffrey De La Rosa
Executive Producer:
Clive Barker
Extras Casting:
Catherine Jane Holzer
Anna Camille Miller
Barbara L. Roche
Mark A. Ridge
First Assistant Camera:
Rory Robert Knepp
First Assistant Director:
Thomas Patrick Smith
First Assistant Editor:
Michelle Pazer
Foley Artist:
Ellen Heuer
Joan Rowe
Sean Rowe
Foley Mixer:
Tommy Goodwin
Foley Recordist:
Tami Treadwell
Gaffer:
Russ Lyster
Dan Strickland
Grip:
Peter McAdams
Paul Wilkowsky
Key Grip:
Michael Retzer
Doug Dole
Key Hair Stylist:
Erma Kent
Key Makeup Artist:
Michelle Bühler
Leadman:
Jack Eberhart
Joel Osborne
Line Producer:
Gregory Goodman
Makeup & Hair Assistant:
Denise Dellavalle
Makeup Supervisor:
Gary J. Tunnicliffe
Original Music Composer:
Philip Glass
Painter:
Dannen King
Michael Biggie
Kate C. Lewis
Leza Ingalls
Pilot:
Robert 'Bobby Z' Zajonc
Post Production Accountant:
Julie Hansen
Producer:
Steve Golin
Alan Poul
Sigurjón Sighvatsson
Production Coordinator:
Michelle Colbert
Lisa Barratt
Elaine Fiona Ferguson
Production Design:
Jane Ann Stewart
Prop Maker:
David L. Cole
Property Master:
Will Blount
Screenplay:
Bernard Rose
Script Consultant:
Lynn Weimer
Script Supervisor:
Rachel Atkinson
Second Assistant Camera:
David J. White II
Second Assistant Director:
Suzanne Haasis
Marcei A. Brown
Set Decoration:
Kathryn Peters
Short Story:
Clive Barker
Sound Designer:
Nigel Holland
Sound Engineer:
Anne Pope
Laura Fried
Sound Mixer:
Reinhard Stergar
Sound Re-Recording Mixer:
Michael Barry
Ken S. Polk
Sound Recordist:
Greg Steele
Sound Supervisor:
Charles Ewing Smith
Leonard Marcel
Special Effects Makeup Artist:
Bob Keen
Dave Keen
Mark Coulier
Steadicam Operator:
Randy Nolen
Kirk R. Gardner
Still Photographer:
Mark Fellman
Stunt Coordinator:
Walter Scott
Stunts:
Marian Green
Debbie Lynn Ross
Phil Chong
William Washington
Swing:
Luanne Anders
Lisa Denker
Glenn M. Carrere
Wayne Frierson
Donald B. Osborne
Transportation Captain:
Bill Palmer
Transportation Coordinator:
Richard Deangelo
Visual Effects Art Director:
Joshua Culp
Visual Effects Supervisor:
William Cruse
Wardrobe Supervisor:
Julia Schklair
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.