A work in constant progress (and occasional regress).
Release Date:
June 18, 2004
Original Title:
DodgeBall: A True Underdog Story
Alternate Titles:
Com a Bola Toda
Dodgeball
Dodgeball - A True Underdog Story
Dodgeball - Voll auf die Nüsse
Dodgeball: Mia istoria gia gademides
Golemi topki
Kanonball: En film med baller
Même pas mal !
Pelotas en juego
Piguwi jewang
Vyshybayly
Vyšibaly
Genres:
Comedy
Production Companies:
20th Century Fox
Mediastream Vierte Film
Red Hour
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: M BE: 14 CH: 12 CZ: 15+ DE: 6 DK: 15|A FI: K-12 FR: U GB: 12A HU: 16 IE: 15 JP: G NL: AL NO: 9 PL: 16 PT: M/12 RO: 15 SE: 7 År US: PG-13
Runtime: 92
When megalomaniacal White Goodman, the owner of a trendy, high-end fitness center, makes a move to take over the struggling local gym run by happy-go-lucky Pete La Fleur, there's only one way for La Fleur to fight back: dodgeball. Aided by a dodgeball guru and Goodman's attorney, La Fleur and his rag-tag team of underdogs launch a knock-down, drag-out battle in which the winner takes all.
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ADR Mixer:
Eric Thompson
ADR Recordist:
Chris Navarro
ADR Supervisor:
Joe Dorn
Additional Director of Photography:
Lloyd Ahern II
Additional Production Assistant:
Kevin Roy
Art Department Coordinator:
Benjamin Nowicki
Art Department Production Assistant:
Ryan Murray
Art Direction:
Andrew Max Cahn
Assistant Art Director:
Austin Gorg
Assistant Camera:
John Kairis
Assistant Costume Designer:
Lois DeArmond
Assistant Editor:
Vince Filippone
Nicholas 'Nikko' Tsiotsias
Assistant Location Manager:
Ann Murphy
Assistant Production Coordinator:
Nicki Johnson
Assistant Sound Editor:
Bill Burns
Associate Producer:
Todd C. Guzze
Best Boy Electrician:
Mark Sadler
Boom Operator:
Scott La Rue
Camera Operator:
David L. Parrish
Carpenter:
Gregory Diggins
Casting:
Juel Bestrop
Blythe Cappello
Jeanne McCarthy
Casting Assistant:
Nicole Abellera Hallman
Choreographer:
Michelle Boehle
Eartha Robinson
Color Timer:
Dennis McNeill
Colorist:
Sean Lawrence
Construction Coordinator:
Bryan Belair
Costume Design:
Carol Ramsey
Costume Supervisor:
Marisa Aboitiz
Costumer:
Ellen Falguiere
Craft Service:
Phil Scalisi
Dialogue Editor:
David V. Butler
Digital Colorist:
Joe Finley
Digital Compositors:
Lori C. Miller
Director:
Rawson Marshall Thurber
Director of Photography:
Jerzy Zieliński
Dolly Grip:
Fred Cooper
Driver:
Michael J. Birnkrant
Editor:
Alan Baumgarten
Peter Teschner
Electrician:
Joel A. Ruiz
Executive In Charge Of Production:
Deborah Liebling
Executive Producer:
Mary McLaglen
Rhoades Rader
Extras Casting:
Carol Grant
First Assistant Accountant:
Michael DeSantis
First Assistant Camera:
Art Martin
First Assistant Director:
George Bamber
First Assistant Editor:
Kristine McPherson
First Assistant Sound Editor:
Cherie Tamai
Foley Artist:
Stefan Fraticelli
Foley Editor:
Bruce Lacey
Foley Mixer:
Ron Mellegers
Graphic Designer:
Laura Hopkins
Grip:
Rob J. Greenlea
Hair Department Head:
Deborah Ann Piper
Hairstylist:
Linda Flowers
I/O Manager:
Ryan Beadle
Key Grip:
Paul V. Perkins
Leadman:
Grant Samson
Lighting Technician:
Scott Sprague
Loader:
James Goldman
Location Assistant:
Kenny Rummell
Location Coordinator:
Salvy Maleki
Location Manager:
Susan Fitz-Simon
Eric Hedayat
Location Scout:
Caleb Duffy
Makeup Artist:
Douglas Noe
Music Editor:
Stephanie Lowry
Music Supervisor:
George Drakoulias
Musician:
George Doering
Negative Cutter:
Gary Burritt
On Set Dresser:
Christian Kastner
Orchestrator:
Pete Anthony
Original Music Composer:
Theodore Shapiro
Painter:
Gloria Ciraolo
Payroll Accountant:
Denyse Rossi
Post Production Assistant:
Jamie Clarke
Principal Costumer:
Scott R. Hankins
Producer:
Ben Stiller
Stuart Cornfeld
Production Coordinator:
Thomas Longo
Production Design:
Maher Ahmad
Production Executive:
Michael Hendrickson
Production Supervisor:
Monica Levinson
Projection:
Michael Altman
Property Master:
Sean Mannion
Propmaker:
Steve Salazar
Publicist:
Paulette Dauber
Rigging Gaffer:
Glenn E. Moran
Rigging Grip:
John S. Campbell
Score Engineer:
Bill Talbott
Scoring Mixer:
Chris Fogel
Script Supervisor:
Tricia Ronten
Second Assistant Accountant:
Michelle Stevens
Second Assistant Camera:
Robert Baek
Second Assistant Director:
Seth Edelstein
Second Second Assistant Director:
Steve Lonano
Second Unit Director:
Raymond Prado
Second Unit First Assistant Director:
Darrell Woodard
Security:
Stan Purdy
Set Costumer:
Fran Allgood
Set Decoration:
Gene Serdena
Set Designer:
Victoria Ruskin
Set Dresser:
Michael Glynn
Set Production Assistant:
Dusty Dukatz
Sound Effects Editor:
Jason W. Jennings
Sound Mixer:
Steve Cantamessa
Sound Recordist:
Brian Basham
Special Effects:
Ken Tarallo
Special Effects Coordinator:
Gary D'Amico
Special Effects Supervisor:
Werner Hahnlein
Special Effects Technician:
Chris Jones
Stand In:
Ket Lamb
Still Photographer:
Tracy Bennett
Storyboard Artist:
Joe Griffith
Chris Buchinsky
Stunt Coordinator:
Alex Daniels
Stunt Double:
Nicole Randall
Cass Asher
Stunt Driver:
Eddie Braun
Stunts:
Matt Norklun
Arnold Chon
Steven Lambert
Eddie Braun
Greg Fitzpatrick
Joe Bucaro III
Hubie Kerns Jr.
Nathan Castle
Joey Box
Peewee Piemonte
Supervising Music Editor:
Andrew Silver
Supervising Sound Editor:
George H. Anderson
Swing:
Mike Boudreau
Michael Glynn
Temp Sound Editor:
Matthew T. Duncan
Textile Artist:
Melissa Binder
Title Designer:
Mary C. Snyder
Transportation Captain:
Maxwell R. Johnson II
Transportation Co-Captain:
Thomas Whelpley
Unit Production Manager:
Mary McLaglen
Unit Publicist:
Mary McLaglen
Utility Stunts:
Greg Anderson
Video Assist Operator:
Tom Fox
Visual Effects:
Craig Kuehne
Sean Kennedy
Visual Effects Editor:
Nina Kawasaki
Visual Effects Supervisor:
John Coats
Writer:
Rawson Marshall Thurber
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