Home

DodgeBall: A True Underdog Story (2004) [PG-13]

Release Date:
June 18, 2004

Original Title:
DodgeBall: A True Underdog Story

Alternate Titles:
Com a Bola Toda
Dodgeball
Dodgeball - A True Underdog Story
Dodgeball: Mia istoria gia gademides
Golemi topki
Kanonball: En film med baller
Même pas mal !
Pelotas en juego
Piguwi jewang
Vyshybayly
Vyšibaly

Genres:
Comedy

Production Companies:
20th Century Fox
Red Hour

Production Countries:
United States of America

Ratings / Certifications:
AU: M  CH: 12  CZ: 15+  DE: 6  FR: U  GB: 15  HU: 16  IE: 15  JP: G  PL: 16  PT: M/12  RO: 15  SE: 7 År  US: PG-13 

Runtime: 92

Grab life by the ball.

Overview from TheMovieDB

When megalomaniacal White Goodman, the owner of a trendy, high-end fitness center, makes a move to take over the struggling local gym run by happy-go-lucky Pete La Fleur, there's only one way for La Fleur to fight back: dodgeball. Aided by a dodgeball guru and Goodman's attorney, La Fleur and his rag-tag team of underdogs launch a knock-down, drag-out battle in which the winner takes all.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Eric Thompson

ADR Recordist:
Chris Navarro

ADR Supervisor:
Joe Dorn

Additional Director of Photography:
Lloyd Ahern II

Additional Production Assistant:
Kevin Roy

Art Department Coordinator:
Benjamin Nowicki

Art Department Production Assistant:
Ryan Murray

Art Direction:
Andrew Max Cahn

Assistant Art Director:
Austin Gorg

Assistant Camera:
John Kairis

Assistant Costume Designer:
Lois DeArmond

Assistant Editor:
Vince Filippone
Nicholas 'Nikko' Tsiotsias

Assistant Location Manager:
Ann Murphy

Assistant Production Coordinator:
Nicki Johnson

Assistant Sound Editor:
Bill Burns

Associate Producer:
Todd C. Guzze

Best Boy Electrician:
Mark Sadler

Boom Operator:
Scott La Rue

Camera Operator:
David L. Parrish

Carpenter:
Gregory Diggins

Casting:
Jeanne McCarthy
Juel Bestrop
Blythe Cappello

Casting Assistant:
Nicole Abellara Hallman

Chef:
Marijan 'Mario' Zoric

Choreographer:
Eartha Robinson
Michelle Boehle

Color Timer:
Dennis McNeill

Colorist:
Sean Lawrence

Construction Coordinator:
Bryan Belair

Costume Design:
Carol Ramsey

Costume Supervisor:
Marisa Aboitiz

Costumer:
Ellen Falguiere

Craft Service:
Phil Scalisi

Dialogue Editor:
David V. Butler

Digital Colorist:
Joe Finley

Digital Compositors:
Lori C. Miller

Director:
Rawson Marshall Thurber

Director of Photography:
Jerzy Zieliński

Dolly Grip:
Fred Cooper

Driver:
Michael J. Birnkrant

Editor:
Peter Teschner
Alan Baumgarten

Electrician:
Joel A. Ruiz

Executive In Charge Of Production:
Deborah Liebling

Executive Producer:
Mary McLaglen
Rhoades Rader

Extras Casting:
Carol Grant

First Assistant Accountant:
Michael DeSantis

First Assistant Camera:
Art Martin

First Assistant Director:
George Bamber

First Assistant Editor:
Kristine McPherson

First Assistant Sound Editor:
Cherie Tamai

Foley Artist:
Stefan Fraticelli

Foley Editor:
Bruce Lacey

Foley Mixer:
Ron Mellegers

Graphic Designer:
Laura Hopkins

Grip:
Rob J. Greenlea

Hair Department Head:
Deborah Ann Piper

Hairstylist:
Linda D. Flowers

I/O Manager:
Ryan Beadle

Key Grip:
Paul V. Perkins

Leadman:
Grant Samson

Lighting Technician:
Scott Sprague

Loader:
James Goldman

Location Assistant:
Kenny Rummell

Location Coordinator:
Salvy Maleki

Location Manager:
Eric Hedayat
Susan Fitz-Simon

Location Scout:
Caleb Duffy

Makeup Artist:
Douglas Noe

Music Editor:
Stephanie Lowry

Music Supervisor:
George Drakoulias

Musician:
George Doering

Negative Cutter:
Gary Burritt

On Set Dresser:
Christian Kastner

Orchestrator:
Pete Anthony

Original Music Composer:
Theodore Shapiro

Painter:
Gloria Ciraolo

Payroll Accountant:
Denyse Rossi

Post Production Assistant:
Jamie Clarke

Principal Costumer:
Scott R. Hankins

Producer:
Ben Stiller
Stuart Cornfeld

Production Coordinator:
Thomas Longo

Production Design:
Maher Ahmad

Production Executive:
Michael Hendrickson

Production Supervisor:
Monica Levinson

Projection:
Michael Altman

Property Master:
Sean Mannion

Propmaker:
Steve Salazar

Publicist:
Paulette Dauber

Rigging Gaffer:
Glenn E. Moran

Rigging Grip:
John S. Campbell

Score Engineer:
Bill Talbott

Scoring Mixer:
Chris Fogel

Script Supervisor:
Tricia Ronten

Second Assistant Accountant:
Michelle Stevens

Second Assistant Camera:
Robert Baek

Second Assistant Director:
Seth Edelstein

Second Second Assistant Director:
Steve Lonano

Second Unit Director:
Raymond Prado

Second Unit First Assistant Director:
Darrell Woodard

Security:
Stan Purdy

Set Costumer:
Fran Allgood

Set Decoration:
Gene Serdena

Set Designer:
Victoria Ruskin

Set Dresser:
Michael Glynn

Set Production Assistant:
Dusty Dukatz

Sound Effects Editor:
Jason W. Jennings

Sound Mixer:
Steve Cantamessa

Sound Recordist:
Brian Basham

Special Effects:
Ken Tarallo

Special Effects Coordinator:
Gary D'Amico

Special Effects Supervisor:
Werner Hahnlein

Special Effects Technician:
Chris Jones

Stand In:
Ket Lamb

Still Photographer:
Tracy Bennett

Storyboard Artist:
Chris Buchinsky
Joe Griffith

Stunt Coordinator:
Alex Daniels

Stunt Double:
Cass Asher
Nicole Randall

Stunt Driver:
Eddie Braun

Stunts:
Joey Box
Joe Bucaro III
Greg Fitzpatrick
Eddie Braun
Nathan Castle
Arnold Chon
Hubie Kerns Jr.
Steven Lambert
Peewee Piemonte
Matt Norklun

Supervising Music Editor:
Andrew Silver

Supervising Sound Editor:
George H. Anderson

Swing:
Mike Boudreau
Michael Glynn

Temp Sound Editor:
Matthew T. Duncan

Textile Artist:
Melissa Binder

Title Designer:
Mary C. Snyder

Transportation Captain:
Maxwell R. Johnson II

Transportation Co-Captain:
Thomas Whelpley

Unit Production Manager:
Mary McLaglen

Unit Publicist:
Mary McLaglen

Utility Stunts:
Greg Anderson

Video Assist Operator:
Tom Fox

Visual Effects:
Sean Kennedy
Craig Kuehne

Visual Effects Editor:
Nina Kawasaki

Visual Effects Supervisor:
John Coats

Writer:
Rawson Marshall Thurber

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.