A work in constant progress (and occasional regress).
Release Date:
May 15, 1981
Original Title:
Chariots of Fire
Alternate Titles:
Carros de Fuego
Carros de fuego
Carruagens de Fogo
Triumfens ögonblick
Οι Δρόμοι της Φωτιάς
불의 전차
Genres:
Drama | History
Production Companies:
20th Century Fox
Allied Stars
Enigma Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: L DE: 12 ES: APTA FR: TP GB: PG HU: 12 IE: PG IT: T JP: G KR: 12 PT: M/12 RO: 12 US: PG
Runtime: 123
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
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2006 #100 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
Additional Casting:
Simone Reynolds
Art Direction:
Len Huntingford
Jonathan Amberston
Anna Ridley
Andrew Sanders
Assistant Accountant:
Maggie Phelan
Hazel Crombie
Assistant Art Director:
Diane Bates
Assistant Costume Designer:
Louise Frogley
Assistant Director:
Jonathan Benson
Assistant Editor:
Ros Siely
Assistant Sound Editor:
Pat Gilbert
Associate Producer:
James Crawford
Camera Loader:
Peter Robinson
Camera Operator:
Dewi Humphreys
Casting:
Esta Charkham
Construction Manager:
Roy Evans
Continuity:
Jane Buck
Costume Assistant:
Graham Churchyard
Claire Sorrell
Costume Design:
Milena Canonero
Director:
Hugh Hudson
Director of Photography:
David Watkin
Editor:
Terry Rawlings
Electrician:
Ray Potter
Alan Grayley
Eddie Knight
Alan Grosch
Derek Gatrell
Brian Kemp
Billy Merrell
Executive Producer:
Jake Eberts
Dodi Fayed
Extras Casting:
Dorothy Andrew
First Assistant Editor:
Les Healey
Focus Puller:
Michael Connor
Grip:
Dennis Fraser
Hair Department Head:
Joan Hills
Hairstylist:
Kate Healy
Maureen Hannaford-Naisbitt
Location Manager:
Simon Bosanquet
Caroline Langley
Iain Smith
Makeup Artist:
Hilary Steinberg
Kenteas Brine
Makeup Department Head:
Mary Hillman
Matte Painter:
Ray Caple
Music Coordinator:
Harry Rabinowitz
Original Music Composer:
Vangelis
Producer:
David Puttnam
Production Accountant:
Ron Phipps
Production Manager:
Joyce Herlihy
Production Secretary:
Jennie Raglan
Property Master:
John Leuenberger
Props:
Paul Bradburn
Second Assistant Director:
Matthew Binns
Melvin Lind
Set Buyer:
Kate Kilroy
Set Dresser:
Bryony Foster
Diana Morris
Sound Assistant:
Rowland Fowles
Dushko Indjic
Sound Editor:
Jim Shields
Sound Mixer:
Bill Rowe
Clive Winter
Ray Merrin
Standby Carpenter:
John New
Standby Painter:
Douglas Regan
Standby Property Master:
Don Bradburn
Standby Rigger:
Les Phipps
Still Photographer:
Graham Attwood
Supervising Art Director:
Roger Hall
Tailor:
Tony Allen
Third Assistant Director:
Bill Rudgard
Terence Fitch
Hugh O'Donnell
Title Designer:
John Kelly
John O'Driscoll
John Gorham
Wardrobe Assistant:
Imogen Magnus
John Brady
Marina Drecker
Vivian Tozer
Gill John
Wardrobe Master:
Terry Smith
Nadia Arthur
Wardrobe Supervisor:
David Murphy
Writer:
Colin Welland
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.