A work in constant progress (and occasional regress).
Release Date:
July 10, 1998
Original Title:
Lethal Weapon 4
Alternate Titles:
Arma Letale 4
Arma Mortal 4
Arma letal 4
L'arme fatale 4
Lethal Weapon 04 Lethal Weapon 4
Mirtinas ginklas 4
Smrtonosno orozje 4
Smrtonosno oružje 4
Surmarelv 4
리쎌 웨폰 4
Genres:
Action | Adventure | Comedy | Crime | Thriller
Production Companies:
Donner/Shuler-Donner Productions
Silver Pictures
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 18 CZ: 12+ DE: 16|18 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: 16 HU: 18 IE: 18 IT: T KR: 15 NL: 12 PL: 18 PT: M/12 RU: 16+ SE: 15 US: R
Runtime: 127
Officers Martin Riggs and Roger Murtaugh of the Los Angeles Police Department must stop a dangerous crime lord from China from getting his brother out of jail.
ADR Editor:
William C. Carruth
Marshall Winn
ADR Mixer:
Troy Porter
Accountant:
Jason S. Gondek
Additional Camera:
Steve Adcock
Additional Music:
Marcus Miller
Aerial Director of Photography:
Hans Bjerno
Armorer:
David Fencl
Art Direction:
David F. Klassen
Richard F. Mays
Assistant Art Director:
Wendy Riva
Assistant Camera:
Chris Bangma
Assistant Chief Lighting Technician:
Stanley L. Gonsales
Assistant Dialogue Editor:
Josephine Nericcio
Assistant Location Manager:
Geoff Harding
Assistant Property Master:
Christopher Amy
Assistant Sound Editor:
Baylis Glascock
Associate Producer:
Jennifer Gwartz
Spencer Franklin
Ilyse A. Reutlinger
Best Boy Electric:
Tasso Bravos
Boom Operator:
Todd Bassman
Camera Loader:
Jacobus Marcus
Camera Operator:
Ray De La Motte
Camera Technician:
Steven J. Winslow
Carpenter:
Peter Roderick
Casting:
Marion Dougherty
Casting Associate:
Douglas Wright
Characters:
Shane Black
Chief Lighting Technician:
James B. Crawford
Co-Producer:
Dan Cracchiolo
J. Mills Goodloe
Geoff Johns
Color Timer:
Dale E. Grahn
Colorist:
Jonathan Malden
Compositing Supervisor:
Dan Levitan
Conductor:
Michael Kamen
Construction Coordinator:
Walt Hadfield
Construction Foreman:
James F. Walker
Costume Design:
Ha Nguyen
Costume Supervisor:
Kimberly Guenther Durkin
Craft Service:
Ernest H. Lauterio
Dialect Coach:
Jerome Butler
Dialogue Editor:
Susan Dudeck
Digital Compositors:
Cristin Pescosolido
Director:
Richard Donner
Director of Photography:
Andrzej Bartkowiak
Dolby Consultant:
Mark Kenna
Dolly Grip:
Nico Bally
Driver:
Gil Amaral
Editor:
Kevin Stitt
Dallas Puett
Frank J. Urioste
Eric Strand
Electrician:
Christian J. Killingsworth
Executive Assistant:
Cynthia Neber
Executive Producer:
Steve Perry
Jim Van Wyck
First Assistant Camera:
Bobby Brown
First Assistant Director:
J. Tom Archuleta
Foley Editor:
Ezra Dweck
Foley Mixer:
Eric Gotthelf
Foley Recordist:
Carolyn Tapp
Greensman:
Carlo Basail
Grip:
Robert Ikeda
Hairstylist:
Kareen Boursier
Key Grip:
Michael J. Coo
Key Hair Stylist:
Charlene Johnson
Lighting Technician:
Scott Kidner
Location Manager:
Michael Haro
Makeup Artist:
Lisa Deveaux
Martial Arts Choreographer:
Huan-Chiu Ku
Music Editor:
Zigmund Gron
Music Score Producer:
Stephen McLaughlin
Negative Cutter:
Mo Henry
Orchestrator:
Chris Boardman
Original Music Composer:
Michael Kamen
David Sanborn
Eric Clapton
Post Production Supervisor:
Ilyse A. Reutlinger
Producer:
Joel Silver
Richard Donner
Production Accountant:
Thomas A. Davila
Production Assistant:
Jodie Thomas
Production Design:
J. Michael Riva
Production Illustrator:
Marc Baird
Production Secretary:
Lisa Matsukawa
Production Sound Mixer:
Tim Cooney
Projection:
Thomas S. Dickson
Property Master:
Erik L. Nelson
Rigging Gaffer:
Richard Hartley
Rigging Grip:
Robert J. Reilly
Screenplay:
Channing Gibson
Second Assistant Camera:
Christopher Blauvelt
Second Second Assistant Director:
David Ascher
Second Unit Director:
Conrad E. Palmisano
Mic Rodgers
Set Costumer:
Charlene Amateau
Set Decoration:
Lauri Gaffin
Set Designer:
Charisse Cardenas
Set Dressing Artist:
Jeff Hay
Set Medic:
Louis Farah
Sound Designer:
John Pospisil
Sound Effects Editor:
Richard L. Anderson
Lou Kleinman
Sound Re-Recording Mixer:
Gregg Rudloff
Special Effects Assistant:
Richard Castro
Special Effects Coordinator:
Jon G. Belyeu
Special Effects Technician:
Tom von Badinski
Standby Painter:
Bill 'Kauhane' Hoyt
Steadicam Operator:
Bill Brummond
Still Photographer:
Andrew Cooper
Story:
Jonathan Lemkin
Alfred Gough
Miles Millar
Studio Teachers:
Laura Gary
Stunt Coordinator:
Conrad E. Palmisano
Mic Rodgers
Stunt Double:
Troy Brown
Cheryl Wheeler Duncan
Tony Brubaker
Lance Gilbert
Stunt Driver:
Rick Sawaya
Stunts:
Bruce Paul Barbour
Patricia M. Peters
Erik Cord
Troy Gilbert
Tim Gilbert
Jeff Imada
Thomas Rosales Jr.
Ronnie Rondell Jr.
Jennifer Caputo
Annie Ellis
Henry Kingi
Gary McLarty
Gregory J. Barnett
John C. Meier
Buddy Joe Hooker
Jill Brown
Jimmy N. Roberts
Billy D. Lucas
Danny Epper
Michael Runyard
Kenny Endoso
Al Goto
Tim Trella
Michiko Nishiwaki
Doc Duhame
Tommy J. Huff
Lisa Hoyle
Henry Kingi Jr.
Norman Howell
Supervising ADR Editor:
James Simcik
Supervising Dialogue Editor:
Avram D. Gold
Supervising Sound Editor:
Mark A. Mangini
Technical Advisor:
Art Fransen
Transportation Captain:
Frank Roughan
Transportation Coordinator:
John M. Woodward
Underwater Camera:
Pete Romano
Unit Production Manager:
R. Anthony Brown
Unit Publicist:
Andrew Lipschultz
Utility Stunts:
Cory Fleming
Video Assist Operator:
Martin Glover
Visual Effects Coordinator:
Bill Maher
Visual Effects Producer:
David Taritero
Visual Effects Supervisor:
Michael L. Fink
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.