A work in constant progress (and occasional regress).
Release Date:
August 15, 1986
Original Title:
The Fly
Alternate Titles:
Flugan
Ha-Zvuv
Moucha
Mucha
Muha
Muva
Za furai
Муха
Genres:
Horror | Science Fiction
Production Companies:
Brooksfilms
SLM Production Group
Production Countries:
Canada | United States of America
Ratings / Certifications:
AR: +16 BR: 14 DE: 18 DK: 15 ES: 12 FR: 12 GB: 18 HK: III HU: 18 IE: 18 IT: 14+ JP: R15+ KR: 15 NL: 18|16 SE: 15 US: R ZA: 16
Runtime: 96
When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
ADR Editor:
Robin Leigh
ADR Recordist:
Don White
Additional Photography:
Robin Miller
Kenneth Post
Animation:
Katherine Kean
Mitchell Rothzeid
Art Direction:
Rolf Harvey
Assistant Editor:
Cherie MacNeill
Kant Pan
Susan Shipton
Assistant Property Master:
Paul Hotte
Assistant Set Dresser:
Ian Wheatley
Assistant Sound Editor:
Pat Calvert
Michael Followes
David Giammarco
Susan Maggi
Sandra Moffat
Steve Munro
Best Boy Electric:
David Willetts
CG Animator:
Tom Bisogno
Camera Trainee:
Charlotte Disher
Carpenter:
Donald Engel
Casting:
Deirdre Bowen
Co-Producer:
Marc Boyman
Kip Ohman
Conductor:
Howard Shore
Construction Manager:
Joe Curtin
Costume Design:
Denise Cronenberg
Craft Service:
Susan C. MacQuarrie
Creature Design:
Chris Walas
Creature Effects Technical Director:
Tony Laudati
Dialogue Editor:
Richard Cadger
Director:
David Cronenberg
Director of Photography:
Mark Irwin
Dolly Grip:
David Hynes
Editor:
Ronald Sanders
Electrician:
Sam Bojin
Ian D. Scott
First Assistant Art Direction:
Nancey Pankiw
First Assistant Camera:
Marvin Midwicki
First Assistant Director:
John Board
First Assistant Editor:
Michael Rea
Foley Artist:
Terry Burke
Foley Mixer:
Don White
Gaffer:
Scotty Allan
Grip:
Don Payne
Hairstylist:
Ivan Lynch
Head Carpenter:
Ian Fraser
Key Grip:
Mark Manchester
Location Manager:
Howard Rothschild
Makeup Artist:
Shonagh Jabour
Music Editor:
Jim Weidman
Musician:
Richard Bissill
Michael Boddicker
Skaila Kanga
Jonathan Snowden
Negative Cutter:
Jack Hooper
Orchestrator:
Homer Denison
Original Music Composer:
Howard Shore
Post Production Coordinator:
Carol McBride
Producer:
Stuart Cornfeld
Mel Brooks
Producer's Assistant:
Susan Kinnevy
Barbara Mainguy
Rick Schmidlin
Randy Auerbach
Production Accountant:
Doreen Davis
Production Coordinator:
Debbie Cooke
Production Design:
Carol Spier
Production Sound Mixer:
Bryan Day
Michael LaCroix
Property Master:
Marc Corriveau
Scenic Artist:
Nick Kosonic
Screenplay:
Charles Edward Pogue
David Cronenberg
Script Supervisor:
Gillian Richardson
Second Assistant Camera:
Donna Mobbs
Second Assistant Director:
Kim H. Winther
Senior Animator:
Paul Griffin
Set Decoration:
Elinor Rose Galbraith
Set Designer:
James McAteer
Set Dresser:
Danielle Fleury
Gary Jack
Short Story:
George Langelaan
Sound Effects Editor:
Jane Tattersall
Sound Re-Recording Mixer:
Gerry Humphreys
Robin O'Donoghue
Special Effects:
Louis Craig
Ted Ross
Clark Johnson
Still Photographer:
Attila Dory
Stunt Coordinator:
Dwayne McLean
Stunt Double:
Doron Kernerman
Romuald Sunny
Brent Meyer
Supervising Sound Editor:
David Evans
Wayne Griffin
Technical Advisor:
Michael Lennick
Third Assistant Director:
Patricia Rozema
Tom Quinn
Title Designer:
Wayne Fitzgerald
Gary Kanew
Transportation Coordinator:
Matthew Wolchock
Unit Production Manager:
David Coatsworth
Unit Publicist:
Prudence Emery
Visual Effects Supervisor:
Lee Wilson
Hoyt Yeatman
Lesley Mallgrave
Wardrobe Master:
Trysha Bakker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.