Dark Eyes (2021) [N/A]

Release Date:
December 31, 2021

Original Title:
Dark Eyes

Genres:
Documentary

Production Companies:
VCA School of Film and Television

Production Countries:
Australia

Ratings / Certifications:
 N/A

Runtime: 19

Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Camera Operator:
Tess McArthur-Dowty
Guillym Davenport
Aly Zhang
David Coleman

Conductor:
Alan Cook

Director:
Karen Jemison

Director of Photography:
Mark Bakaitis

Editor:
Karen Jemison

Editorial Consultant:
Lucy Paplinska

First Assistant Director:
Tess McArthur-Dowty

Music Arranger:
Luke Hunter

Online Editor:
Declan Loughran

Post Production Coordinator:
Grayton Hevern

Producer:
Karen Jemison

Production Coordinator:
CJ Welsh

Sound Engineer:
Jake Sipcic
Jordan Ross

Sound Mixer:
Lincoln Sharpe

Sound Recordist:
Emmy Clifton

Still Photographer:
Linus Tolliday
Tess McArthur-Dowty

Supervising Producer:
Shannon Owen
Steve Thomas

Thanks:
Dr Hubertus Jahn
Alan Cook
Kate Pekarin
Marcello Lo Ricco

Title Designer:
Nicholas Bufalo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.