A work in constant progress (and occasional regress).
Release Date:
July 24, 1998
Original Title:
Disturbing Behavior
Alternate Titles:
Comportamento Suspeito
Comportement insolite
Inte som alla andra
Mentes Perturbadas
Perturbados
Непристойное поведение
骚扰行动
魔性少年
Genres:
Horror | Mystery | Science Fiction
Production Companies:
Beacon Communications
Beacon Pictures
Behavioral Problem Productions Ltd.
Hoyts Film Partnership
Metro-Goldwyn-Mayer
Village Roadshow Pictures
Production Countries:
Australia | Canada | United States of America
Ratings / Certifications:
CA: R DE: 18 HU: 16 US: R
Runtime: 84
Steve Clark is a newcomer in the town of Cradle Bay, and he quickly realizes that there's something odd about his high school classmates. The clique known as the "Blue Ribbons" are the eerie embodiment of academic excellence and clean living. But, like the rest of the town, they're a little too perfect. When Steve's rebellious friend Gavin mysteriously joins their ranks, Steve searches for the truth with fellow misfit Rachel.
ADR Editor:
Cliff Latimer
Animation:
Adalberto Al Lopez
Robert C. Powers
Art Department Coordinator:
Valerie Methot
Gregory Dewar
Art Direction:
Eric Fraser
Assistant Art Director:
Roxanne Methot
Michael N. Wong
Assistant Costume Designer:
Christine Coutts
Julie MacDonald
Assistant Hairstylist:
Lisa Leonard
Assistant Property Master:
Marta McLaughlin
Assistant Set Decoration:
Sandy Arthur
Assistant Sound Editor:
Jon Michaels
Associate Producer:
Max Wong
Brent O'Connor
Boom Operator:
Don Brown
Camera Operator:
Rod Pridy
Casting:
Lisa Beach
Casting Associate:
Heike Brandstatter
Sarah Katzman
Chief Lighting Technician:
David Tickell
Co-Producer:
Scott Rosenberg
Elisabeth Seldes Annacone
Color Timer:
Mike Stanwick
Construction Coordinator:
Jan Kobylka
Costume Design:
Trish Keating
Dialogue Editor:
Jeffrey Kaplan
Peter Brown
Alexandra Gonzales
James Matheny
Director:
David Nutter
Director of Photography:
John S. Bartley
Editor:
Randy Jon Morgan
Executive Producer:
Phillip B. Goldfine
C.O. Erickson
Extras Casting:
Sandra Couldwell
First Assistant Camera:
John Davidson
First Assistant Director:
John G. Scotti
Jim Brebner
Foley Editor:
Frank Smathers
Foley Mixer:
Matthew C. Beville
Foley Recordist:
Thor Benitez
Foley Supervisor:
Dana Gustafson
Hairstylist:
Janet MacDonald
Makeup Artist:
Lisa Love
Makeup Effects:
Serge Lavigueur
Toby Lindala
Music Coordinator:
Jason Alexander
Micki Stern
Music Editor:
Jeff Charbonneau
Mark Green
Music Supervisor:
Sharon Boyle
John Houlihan
Negative Cutter:
Gary Burritt
Original Music Composer:
Mark Snow
Post Production Supervisor:
Sean T. Stratton
Producer:
Armyan Bernstein
Jonathan Shestack
Production Accountant:
Susan Montgomery
Production Design:
Nelson Coates
Property Master:
Wayne McLaughlin
Screenplay:
Scott Rosenberg
Script Supervisor:
Cristina Weigmann
Second Assistant Camera:
Aristidi Georgiopoulos
Second Assistant Director:
Dave 'Foots' Footman
Set Costumer:
Tess Brummitt
Set Decoration:
Louise Roper
Sound Designer:
Stephen Hunter Flick
Sound Effects Editor:
William Jacobs
Patricio A. Libenson
Angelo Palazzo
Michael Jonascu
Sound Mixer:
Rob Young
Sound Re-Recording Mixer:
Sergio Reyes
B. Tennyson Sebastian III
Chris David
Jon Taylor
Sound Recordist:
Eric Erickson
Eddie Bydalek
Special Effects Coordinator:
Joel Whist
Special Effects Makeup Artist:
Toby Lindala
Steadicam Operator:
Rod Pridy
Still Photographer:
Jack Rowand
Stunt Coordinator:
J.J. Makaro
Dave Hospes
Stunt Double:
Leslie McMichael
Stunts:
Doug Chapman
Melissa R. Stubbs
Corry Glass
Marny Eng
Supervising ADR Editor:
Judee Flick
Supervising Sound Editor:
Stephen Hunter Flick
Fred Judkins
Third Assistant Director:
Katherine Keizer
Unit Production Manager:
Brent O'Connor
Unit Publicist:
Gloria Davies
VFX Supervisor:
Richard Trus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.