A work in constant progress (and occasional regress).
Release Date:
November 3, 2023
Original Title:
ゴジラ-1.0
Alternate Titles:
G Minus One
G-1.0
G-1.0/C
Godzilla -1.0
Godzilla Menos Um
Godzilla Menos Um / Menos Cor
Godzilla Minus One Minus Color
Godzilla Minus One/Minus Color
Godzilla: Mənfi Bir
Gojira -1.0
Гадзіла мінус адзін
Годзила минус едно
Годзилла -1.0
Годзілла мінус один
גודזילה מינוס אחד
ゴジラ-1.0(マイナスワン)
ゴジラ-1.0/C
ゴジラマイナスワン/マイナスカラー
超大作怪獣映画
고질라-1.0
고질라: 마이너스 원
Genres:
Action | Horror | Science Fiction
Production Companies:
Robot Communications
TOHO
TOHO Studios
Production Countries:
Japan
Ratings / Certifications:
AR: +13 AU: M BR: 12 CZ: 12+ DE: 12 ES: 12 FR: TP GB: 12A|12 ID: 13+ IE: 12A|12 IN: U/A 13+ JP: G KR: 15 LT: N-13 LU: 12 MX: B MY: P13 NL: 12 NZ: M PH: R-13 PL: 12 PR: PG-13 PT: M/12 RU: 12+ SE: 11 SG: PG13 SK: 12 TH: 13 TR: 13+ US: PG-13 VI: PG-13 ZA: 13
Runtime: 125
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
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Assistant Director:
Kohei Adachi
CG Supervisor:
Masaki Takahashi
Casting:
Tsuyoshi Sugino
Co-Producer:
Taichi Ueda
Akihiro Yamauchi
Colorist:
Masahiro Ishiyama
Costume Design:
Aiko Mizushima
Director:
Takashi Yamazaki
Director of Photography:
Kōzō Shibazaki
Editor:
Ryuji Miyajima
Executive Producer:
Shuji Abe
Minami Ichikawa
Hisashi Usui
Gaffer:
Nariyuki Ueda
Hairstylist:
Michiyo Miyauchi
Line Producer:
Hiroshi Sakurai
Makeup Artist:
Michiyo Miyauchi
Music:
Akira Ifukube
Original Music Composer:
Naoki Sato
Other:
Michael Arias
Producer:
Go Abe
Kazuaki Kishida
Keiichiro Moriya
Kenji Yamada
Production Design:
Anri Jojo
Production Supervisor:
Nozomu Aida
Screenplay:
Takashi Yamazaki
Set Decoration:
Tetsuji Tatsuta
Sound Effects:
Natsuko Inoue
Sound Recordist:
Hisafumi Takeuchi
Visual Effects:
Tatsuji Nojima
Visual Effects Supervisor:
Kiyoko Shibuya
Takashi Yamazaki
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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