Home

Evolution (2001) [PG-13]

Release Date:
June 8, 2001

Original Title:
Evolution

Alternate Titles:
Evolucija
Evolución
Evolyutsiya
Evolúció
Exélixi
地球再發育
超速度进化
进化
進化危機
進化特區

Genres:
Action | Comedy | Science Fiction

Production Companies:
Columbia Pictures
DreamWorks Pictures
The Montecito Picture Company

Production Countries:
United States of America

Ratings / Certifications:
AR: Atp  AU: PG  BG: B  BR: 12  CZ: 15+|U  DE: 12  ES: 7  FI: K-11  FR: U  GB: PG  HK: IIB  HU: 12  IE: PG  IS: 10  KR: 12  MY: U  NL: 12  NO: 11  NZ: PG  PE: PT  PL: 12  RU: 12+  SE: 11  US: PG-13 

Runtime: 101

Coming to wipe that silly smile off your planet.

Overview from TheMovieDB

A comedy that follows the chaos that ensues when a meteor hits the Earth carrying alien life forms that give new meaning to the term "survival of the fittest." David Duchovny, Orlando Jones, Seann William Scott, and Julianne Moore are the only people standing between the aliens and world domination... which could be bad news for the Earth.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Laura Graham
Michelle Pazer

ADR Mixer:
Greg Steele

Additional Camera:
Ian Fox

Additional Music:
Gavin Greenaway

Additional Second Assistant Director:
Kenneth Roth

Aerial Coordinator:
Cliff Fleming

Ager/Dyer:
Carol Demarti

Animation Manager:
Don Howe

Animation Supervisor:
Eric Armstrong
Eric Reynolds

Art Department Coordinator:
John-Paul Riva

Art Department Production Assistant:
Claudia Bonfe

Art Direction:
Richard F. Mays

Assistant Accountant:
Primrose Fukuchi

Assistant Chief Lighting Technician:
Chuck Sharp

Assistant Editor:
Anna Solorio-Catalano

Assistant Location Manager:
Rhonda Baer

Assistant Production Coordinator:
Francis Meade Warner

Assistant Property Master:
Bryan D. Garofalo

Assistant Sound Editor:
Philip D. Morrill

Associate Producer:
Sheldon Kahn
Ken Schwenker
Ronell Venter

Best Boy Electric:
Larry Pausback

Best Boy Grip:
Lonnie Leslie

Boom Operator:
Jeff Porrello

CG Animator:
Anthony Scott

CG Supervisor:
Eric Bruneau
Eric Leven
Mark Wendell
Peter G. Travers

Camera Loader:
Steve Wolfe

Camera Operator:
Daniel C. Gold

Carpenter:
Prentice Randolph

Casting:
Margery Simkin

Casting Assistant:
Alexi Saldamando

Casting Associate:
Michele Short

Chief Lighting Technician:
Melton C. Maxwell

Co-Producer:
Paul Deason

Compositing Artist:
Erik Winquist

Compositing Supervisor:
Jim McVay

Construction Coordinator:
Walt Hadfield

Costume Design:
Aggie Guerard Rodgers

Costume Illustrator:
Carlos Rosario

Costume Supervisor:
Winnie D. Brown

Costumer:
Candice Dobkousky

Craft Service:
Susan Deal

Creature Design:
Yuri Bartoli

Data Wrangler:
Deborah Thomas

Dialogue Editor:
Laura Harris Atkinson
Chris Hogan
Lauren Stephens
Kimaree Long

Digital Color Timer:
Anthony Harris

Digital Compositors:
Clint Colver

Digital Producer:
John Clinton

Director:
Ivan Reitman

Director of Photography:
Michael Chapman

Dolly Grip:
Alan Shultz

Driver:
Jim Alfonso

Editor:
Wendy Greene Bricmont
Sheldon Kahn

Editorial Production Assistant:
Brandon Crummett

Effects Supervisor:
Howard Berger

Electrician:
Jay Galbo

Executive Producer:
Jeff Apple
Tom Pollock
David Rodgers

Extras Casting:
Tony Hobbs

First Assistant "B" Camera:
David Luckenbach

First Assistant Camera:
Trevor Loomis

First Assistant Director:
Michael Neumann

First Assistant Editor:
Dana E. Glauberman
Saul Saladow

First Assistant Sound Editor:
Tony Negrete

Foley:
Jeffrey Wilhoit

Foley Artist:
James Moriana

Foley Editor:
Paul Jyrälä

Foley Mixer:
Nerses Gezalyan

Foley Recordist:
Greg Zimmerman

Greensman:
Dennis Butterworth

Grip:
Rick Colosimo

Hair Department Head:
Judith A. Cory

Hairstylist:
Edward St. George
Colette Slattery

Head of Production:
Alonzo Ruvalcaba

Helicopter Camera:
Ron Goodman

I/O Supervisor:
David Rosenthal

Key Grip:
Sandy Williams

Key Hair Stylist:
Karyn Huston

Key Makeup Artist:
Ken Chase

Key Rigging Grip:
Michael Strong

Layout:
Steven Jetton

Leadman:
Ben Woolverton

Lighting Supervisor:
Charles Rose

Lighting Technician:
Renan Galindo

Location Manager:
Kokayi Ampah

Location Scout:
Steve Knisely

Makeup Artist:
Elaine L. Offers
Laini Thompson
Ken Wensevic

Music Consultant:
Andy Hill

Music Editor:
Bunny Andrews

Music Supervisor:
Todd Homme

Musician:
George Doering

Negative Cutter:
Gary Burritt

On Set Dresser:
Dana McCall

Orchestrator:
Elizabeth Finch

Original Music Composer:
John Powell

Painter:
Leslie Ross

Payroll Accountant:
Daniel Myers Boone

Pilot:
Bruce Benson

Post Production Assistant:
Kevin Du Toit

Producer:
Daniel Goldberg
Joe Medjuck
Ivan Reitman

Production Accountant:
Janet Lonsdale

Production Assistant:
Liz Borges-Herzog

Production Controller:
Jim Turner

Production Coordinator:
Leslie Valentino

Production Design:
J. Michael Riva

Production Executive:
Steven R. Molen

Production Illustrator:
Marc Baird

Production Manager:
Alessandra Cave

Production Secretary:
Jorge Agraz

Production Sound Mixer:
William B. Kaplan

Production Supervisor:
Angela Heald

Property Master:
Hope M. Parrish

Researcher:
Jude Jensen

Rigging Gaffer:
Donald A. Spadoni

Rigging Grip:
David Dunbar

Scenic Artist:
Michael Denering

Screenplay:
David Diamond
David Weissman
Don Jakoby

Script Researcher:
Ray Felipe

Script Supervisor:
Barbara Tuss

Sculptor:
Thomas Meikle

Second Assistant Accountant:
Angie Ryan

Second Assistant Camera:
Rodney Sandoval

Second Assistant Director:
Dieter Busch

Second Second Assistant Director:
Sonia Bhalla

Sequence Leads:
Betsy McClung

Set Costumer:
Lorenzo Hearns Jr.
Chanthou Kozberg

Set Decorating Coordinator:
Diana Goodwin

Set Decoration:
Lauri Gaffin

Set Decoration Buyer:
Helen Kozora

Set Designer:
Eric Sundahl
Noelle King
Masako Masuda
Matthew Bekoff

Set Dresser:
Terry Doherty

Set Medic:
John Barnette

Sound Effects Editor:
Christopher Assells
Dino DiMuro
Scott Martin Gershin
Dan Hegeman
Randy Kelley
Tony Lamberti
Scott Sanders

Sound Re-Recording Mixer:
Bob Beemer
Scott Millan
Dennis S. Sands

Sound Recordist:
Fred Peck III

Special Effects Coordinator:
Burt Dalton

Special Effects Makeup Artist:
Christopher Allen Nelson

Special Effects Supervisor:
Mark Irvin

Special Effects Technician:
Lance Gilmer

Stand In:
Jon Crush

Standby Painter:
Bill 'Kauhane' Hoyt

Steadicam Operator:
David Luckenbach

Still Photographer:
Murray Close

Storyboard:
David J. Negron Sr.

Storyboard Artist:
Eric Ramsey

Stunt Coordinator:
Thomas Robinson Harper

Stunt Double:
Kofi Elam
Erik Rondell
Joanna Shelmidine
Cinda-Lin James

Stunts:
Jacob Chambers
Oakley Lehman
Joe Bucaro III

Supervising ADR Editor:
Chris Jargo

Supervising Art Director:
David F. Klassen

Supervising Sound Editor:
Karen Baker Landers
Per Hallberg

Systems Administrators & Support:
Phred Lender

Techno Crane Operator:
Bryan Fletchall

Temp Music Editor:
Curt Sobel

Title Designer:
Nina Saxon

Transportation Captain:
Frank Roughan

Transportation Coordinator:
Dave Robling

Unit Production Manager:
Paul Deason

Unit Publicist:
Peter J. Silbermann

Utility Sound:
David Schneider

Utility Stunts:
Brian Bennett
Debbie Evans
Troy Gilbert
Eurlyne Epper
Annie Ellis
Troy Brown
Freddie Hice
Donna Evans
Janet Brady
Mic Rodgers
Keith Campbell
Tom Elliott
Tim Rigby
Tommy J. Huff

Video Assist Operator:
Mauriece Jacks Jr.

Visual Effects Art Director:
Yuri Bartoli

Visual Effects Assistant Editor:
Thomas Krebs

Visual Effects Coordinator:
Tim de Pala

Visual Effects Designer:
Steven Olds

Visual Effects Editor:
Kevin Rose-Williams
Jennifer Leo Russ
Des Carey

Visual Effects Producer:
Mike Chambers
Crys Forsyth-Smith
Ken Kokka
Nancy St. John

Visual Effects Production Assistant:
Karen Jine

Visual Effects Production Manager:
Daniel Kuehn

Visual Effects Supervisor:
Jim Berney
Phil Tippett

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.