A work in constant progress (and occasional regress).
Release Date:
May 13, 2022
Original Title:
A Baby at Any Cost
Genres:
Crime | Drama | TV Movie | Thriller
Production Companies:
Almost Never Films
RNR Media
Reel One Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 85
When a surrogate grows too fond of the baby she carried for a young couple, they try to disengage from her. But the surrogate starts poisoning the mother (with no danger to the child) in a scam that will keep the surrogate around, and then, when mom is gone, the surrogate will get the child, the husband and the suburban life she so earnestly covets.
Additional Writing:
Tamar Halpern
Art Department Assistant:
Megan Mitchell
Assistant Production Coordinator:
Ohia Morrison
Associate Producer:
Wendy Yarbrough
Best Boy Electric:
Matthew Ledford
Best Boy Grip:
Caleb Pinson
Boom Operator:
Jose Gallo
Casting:
Ricki Maslar
Co-Producer:
Dave Hickey
Colorist:
Duncan Salot
Costume Assistant:
Will R. Dougherty
Costume Design:
Valerie L. Parker
Dialogue Editor:
Joe Stockton
Digital Imaging Technician:
I. Alan Davidson
Director:
Tamar Halpern
Director of Photography:
Michael Street
Editor:
Brett Solem
Executive Producer:
Pierre David
Tom Berry
Sebastian Battro
Michael Roth
John Mehrer
Dave Hickey
Extras Casting:
MJ Murnan
First Assistant Camera:
Nicholas Storm Barnett
First Assistant Director:
Leah Rice
Gaffer:
Patrick Hubbard
Hair Department Head:
Rachel Griffiths
Key Grip:
Kash Kirchner
Line Producer:
John Mehrer
Makeup Department Head:
Kadi Uhack
Music:
David Bateman
Post Production Supervisor:
Duncan Salot
Producer:
Danny Roth
Production Design:
Darron Dunbar
Production Manager:
Curt Roland
Production Office Coordinator:
Jason Oser
Property Master:
Cyearah Hoursey
Screenplay:
Meredith Stack
Script Supervisor:
Ali Mcintosh
Second Assistant Camera:
Ian Valencia
Second Assistant Director:
Sidney Brown
Set Decoration:
Mari Belle
Sound Designer:
Christopher Duke
Joe Stockton
Sound Mixer:
Jose Gallo
Sound Re-Recording Mixer:
Christopher Duke
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.