A work in constant progress (and occasional regress).
Release Date:
September 9, 2005
Original Title:
Thank You for Smoking
Alternate Titles:
Gracias por fumar
Hvala što pušite
Hvala, ker kadite
Kiitos että poltatte
Merci de fumer
Thank You for Smoking
Дякую вам за куріння
Тут палять
Genres:
Comedy | Drama
Production Companies:
ContentFilm
Fox Searchlight Pictures
Major Studio Partners
Room 9 Entertainment
TYFS Productions LLC
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M CA: 14A DE: 12 ES: 12 GB: 15 HU: 16 IE: 15A IT: T NL: AL NO: 6 NZ: M PT: M/12 US: R
Runtime: 92
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke -- even if it kills him -- while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
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3D Artist:
Edward Quirk
ADR Mixer:
Paul Drenning
Additional Music:
Mateo Messina
Additional Second Assistant Camera:
Charlie Newberry
Art Department Coordinator:
Theresa Greene
Assistant Accountant:
Amy Smolev
Assistant Art Director:
Steven Samanen
Assistant Editor:
Stephen M. Rickert Jr.
Assistant Production Coordinator:
Tara Chang
Assistant Property Master:
Terry Atchison
Associate Producer:
Stephen Belafonte
Eveleen Bandy
Best Boy Electric:
Konrad Sigurdsson
Best Boy Grip:
Quinton Reilly
Boom Operator:
Craig Dollinger
Josh Bower
Cableman:
Brad Bryan
Camera Loader:
Tim Clarke
Camera Operator:
David Presley
Daniel Nichols
Carpenter:
Kevin Wenger
Casting:
Mindy Marin
Casting Associate:
Kara Lipson
Ember Truesdell
Chef:
Carlos Rodríguez
Co-Executive Producer:
David Bloomfield
Co-Producer:
Mindy Marin
Daniel Dubiecki
Daniel Brunt
Michael R. Newman
Color Timer:
Stephen R. Sheridan
Compositor:
Robert Lukacs
Construction Coordinator:
Michael Crowe
Costume Design:
Danny Glicker
Costume Supervisor:
Julie Glick
Craft Service:
Damiano Fusca
Digital Color Timer:
Natasha Leonnet
Digital Compositors:
Marco S. Paolini
Digital Intermediate:
Jack Lewars
Digital Intermediate Editor:
Lisa Tutunjian
Digital Intermediate Producer:
Lorene Simpson
Director:
Jason Reitman
Director of Photography:
James Whitaker
Dolly Grip:
Shawn Stoddard
Driver:
Alex E. Burns
J. Armin Garza II
William Smallwood
Neil Chisholm
Editor:
Dana E. Glauberman
Electrician:
Tim Gillis
Patrick Brennan
Executive Producer:
Alessandro Camon
Max Levchin
John Schmidt
Edward R. Pressman
Elon Musk
Michael Beugg
Peter Thiel
Mark Woolway
Extras Casting Assistant:
Laura Drake Mancini
First Assistant "A" Camera:
Donald Burghardt
First Assistant Director:
Jason Blumenfeld
First Assistant Editor:
Robert Malina
First Assistant Sound Editor:
Kevin Zimmerman
Foley Artist:
Patrick Cabral
Cynthia Merrill
Foley Mixer:
Geordy Sincavage
Foley Supervisor:
Nick Neutra
Gaffer:
Patrick Lennon
Grip:
Joe Guzman
Lee Shapira
Tony Ayala
Hair Department Head:
Marsha Lewis
Key Grip:
Stuart Abramson
Key Hair Stylist:
Sherri Bramlett
Maxine Morris
Key Production Assistant:
Patrick Cunningham
Key Set Costumer:
Laura E. Little
Leadman:
Carl Catanese
Paul Arthur Hartman
Local Casting:
Betsy Royall
Location Manager:
John Latenser V
Christopher Miller
Location Production Assistant:
Matthew Dillon Noonan
Location Scout:
Errol Reichow
Makeup Artist:
Robin L. Neal
Elisabeth Fry
Makeup Department Head:
John E. Jackson
Music Coordinator:
Alison Litton
Music Editor:
Nick South
Music Programmer:
Stephen Coleman
Music Supervisor:
Margaret Yen
Peter Afterman
Novel:
Christopher Buckley
On Set Dresser:
Mark Brooks
Original Music Composer:
Rolfe Kent
Payroll Accountant:
Joel Tokarsky
Post Production Accountant:
Bob Weber
Post Production Supervisor:
Joe Fineman
Michael Toji
Producer:
David O. Sacks
Production Accountant:
Gavin J. Behrman
Production Assistant:
John T. Maye
Production Consultant:
Mike Hazlitt
Production Coordinator:
Traceigh Scottel
Production Design:
Steve Saklad
Production Supervisor:
Bob Dohrmann
Property Master:
Eric Hunsaker
Propmaker:
Casey B. Garrett
Scoring Mixer:
Greg Townley
Screenplay:
Jason Reitman
Script Supervisor:
Mary Anne Seward
Second Assistant Camera:
Brett F. Gates
Second Assistant Director:
Xanthus Valan
Sonia Bhalla
Second Second Assistant Director:
Casey Mako
Second Unit Director of Photography:
Nicole Hirsch Whitaker
Set Costumer:
Marta Villalobos
Set Decoration:
Kurt Meisenbach
Set Dresser:
M. Marcos Gonzalez
Set Medic:
David Falicki
Jeff Johnson
Set Production Assistant:
Joe Dornich
Sound Editor:
Richard Dwan Jr.
Sound Mixer:
Steven A. Morrow
Sound Re-Recording Mixer:
Adam Jenkins
Scott Sanders
J. Stanley Johnston
Melissa Sherwood Hofmann
Sound Recordist:
Robert Althoff
Special Effects Coordinator:
Larry Fioritto
Special Effects Technician:
Virgil Sanchez
Steadicam Operator:
Tommy Lohmann
Andy Colvin
Still Photographer:
Dale Robinette
Storyboard Artist:
Eddie Lin
Studio Teacher:
Kevin Moll
Studio Teachers:
Julie Stevens
Stunt Coordinator:
Terry James
Stunt Driver:
Rick Kain
Stunts:
Marc Scizak
Supervising ADR Editor:
Barney Cabral
Supervising Dialogue Editor:
Richard Dwan Jr.
Supervising Sound Editor:
Perry Robertson
Title Designer:
Jenny Lee
Transportation Co-Captain:
Dennis Janovici
Transportation Coordinator:
Geno Hart
Unit Production Manager:
Michael Beugg
Unit Publicist:
Jeremy Walker
Utility Sound:
Robert Sharman
Visual Effects Coordinator:
Heather Ignarro
Visual Effects Editor:
Robert Malina
Visual Effects Producer:
Cosmas Paul Bolger Jr.
Wardrobe Supervisor:
Julie Glick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.