Hollow Man (2000) [R|NR]

Release Date:
August 4, 2000

Original Title:
Hollow Man

Alternate Titles:
Czlowiek widmo
El hombre sin sombra
Maya Manithan
Mees ilma varjuta
Njeriu i Padukshëm
Žmogus be šešėlio
Людина невидимка
Человек невидимка
איש חלול
할로우맨

Genres:
Action | Science Fiction | Thriller

Production Companies:
Columbia Pictures
Global Medien KG
Red Wagon Entertainment

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: MA15+  BR: 18  CH: 16  CZ: 15+  DE: 16  FR: 12|18  GB: 18  GR: 15  HU: 16  IE: 18  IT: VM14  KR: 15  NL: 16  PL: 18  PT: M/16  RO: 18+  RU: 18+  SE: 15  SK: 15|18  US: R|NR 

Runtime: 112

Think you’re alone? Think again.

Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

2D Supervisor:
Uel Hormann

3D Artist:
Carol Ashley

ADR Editor:
Linda Folk

ADR Mixer:
Charleen Richards-Steeves

ADR Recordist:
David Lucarelli

ADR Voice Casting:
Terri Douglas

Animation Coordinator:
Elizabeth Hitt

Animation Supervisor:
Tom Gibbons

Art Department Coordinator:
Katherine Lambert

Art Direction:
Dale Allen Pelton

Assistant Accountant:
Tish Johnson

Assistant Art Director:
Sue Chan

Assistant Camera:
Brian Mussetter

Assistant Dialogue Editor:
Jeena M. Phelps

Assistant Editor:
Charlotte Spencer

Assistant Location Manager:
J. Chan Claggett

Assistant Production Coordinator:
Sissy Grover

Assistant Sound Editor:
Carmen Flores De Tanis

Associate Producer:
Kenneth Silverstein

Best Boy Electric:
Benny McNulty

Boom Operator:
Raul A. Bruce

CG Animator:
Erik Lee

CG Artist:
Todd Vaziri

CG Painter:
Krystin Johnson

CG Supervisor:
Jim Berney

Camera Loader:
Todd Durboraw

Camera Operator:
John Trapman

Carpenter:
Mark Schouten

Casting:
Howard Feuer

Character Designer:
Jordu Schell

Character Modelling Supervisor:
Wayne Kennedy

Co-Producer:
Stacy Lumbrezer

Color Timer:
Jim Passon

Compositing Lead:
Greg Derochie

Compositing Supervisor:
Brennan Doyle

Conceptual Design:
Miles Teves

Conductor:
Jerry Goldsmith

Costume Design:
Ellen Mirojnick

Costume Supervisor:
James W. Tyson

Costumer:
Edward Gould

Decorator:
Craig T. Shordon

Digital Color Timer:
John Nicolard

Digital Compositors:
Kenneth Au

Digital Effects Producer:
Brian Keeney

Digital Effects Supervisor:
Scott Stokdyk

Director:
Paul Verhoeven

Director of Photography:
Jost Vacano

Dolly Grip:
David Nims

Driver:
Ken Bellanca

Editor:
Mark Goldblatt
Ron Vignone

Executive Producer:
Marion Rosenberg

First Assistant Camera:
Gregory Irwin

First Assistant Director:
Louis D'Esposito

First Assistant Editor:
Catherine Chase

Foley Artist:
Matthew Dettmann

Foley Mixer:
Richard Duarte

Gaffer:
Shane D. Kelly

Greensman:
Jim Wardell

Grip:
Jim Gordon

Head of Production:
Alonzo Ruvalcaba

I/O Supervisor:
David Rosenthal
Dennis Webb

Key Costumer:
Dawn Y. Line

Key Grip:
Gary Dagg

Lead Animator:
Eric Reynolds

Lighting Technician:
Ken W. Ballantine

Loader:
Daniel C. McFadden

Location Production Assistant:
Paul-Michel Pierre-Benoist

Location Scout:
Joseph Martin

Machinist:
Tony Aylett

Makeup Artist:
Luisa Abel

Makeup Department Head:
Barry R. Koper

Makeup Designer:
Alec Gillis

Makeup Effects:
Todd Bates

Makeup Supervisor:
Whitney James

Music Editor:
Darrell Hall

Music Programmer:
Nick Vidar

Negative Cutter:
Mo Henry

Novel:
H.G. Wells

Orchestrator:
Alexander Courage

Original Music Composer:
Jerry Goldsmith

Painter:
Mike Larrabee

Payroll Accountant:
David Hickey

Post Production Assistant:
Kevin Flatow

Producer:
Douglas Wick
Alan Marshall

Production Accountant:
Chris Silver Finigan

Production Assistant:
Jennifer Juen

Production Coordinator:
Mitchell Bell

Production Design:
Allan Cameron

Production Manager:
Robert Latham Brown

Production Office Assistant:
Edward Bellafiore

Production Secretary:
Stephani Hunter

Production Sound Mixer:
Joseph Geisinger

Property Master:
Teri Anne Kopp

Propmaker:
Craig T. Currie

Pyrotechnician:
Richard L. Hill

Rigging Grip:
Rell Putt

Rotoscoping Artist:
Etienne Andlau

Screenplay:
Andrew W. Marlowe

Script Supervisor:
Haley McLane

Sculptor:
Don Lanning

Second Assistant Accountant:
Kenny Gallagher

Second Assistant Camera:
Mike Gentile

Second Assistant Director:
Juanma Fernández París

Second Second Assistant Director:
Steve Lonano

Second Unit Director:
Scott E. Anderson

Senior Visual Effects Supervisor:
Scott E. Anderson

Sequence Leads:
Colin Epstein

Set Costumer:
Carrie Bauer

Set Decoration:
John M. Dwyer

Set Designer:
Daniel R. Jennings

Set Dressing Artist:
Jim Husbands

Set Production Assistant:
Brian Feeney

Software Engineer:
Chris Allen

Sound Effects Editor:
Jason W. Jennings

Special Effects Assistant:
Donn Markel

Special Effects Supervisor:
Hans Metz
Stan Parks

Special Effects Technician:
Gary D. Bierend

Special Sound Effects:
John P. Fasal

Stand In:
Michael Haboush

Still Photographer:
Michael Douglas Middleton

Story:
Andrew W. Marlowe
Gary Scott Thompson

Storyboard Artist:
Giacomo G. Ghiazza

Stunt Coordinator:
Gary Combs
Gilbert B. Combs

Stunt Double:
Laura Lee Connery
Lisa Hoyle

Stunt Driver:
Lester Speight

Stunts:
Greg Brickman

Supervising ADR Editor:
Susan Dudeck

Supervising Dialogue Editor:
Michael J. Benavente

Supervising Sound Editor:
Scott A. Hecker

Systems Administrators & Support:
Gerardo De La Cruz

Transportation Coordinator:
Joel Renfro

Unit Publicist:
Stanley Brossette

Utility Sound:
Yvette Marxer

Utility Stunts:
Matt Byrne

VFX Artist:
Ralph Sevazlian

VFX Director of Photography:
David Stump

Video Assist Operator:
Aaron Katz

Visual Effects:
Mitch Deoudes

Visual Effects Compositor:
Andrew Schwartz

Visual Effects Coordinator:
Kandece Brown

Visual Effects Editor:
Peter S. Elliot

Visual Effects Producer:
B.Z. Petroff

Visual Effects Supervisor:
Craig Hayes

Visual Effects Technical Director:
Andy King

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.