A work in constant progress (and occasional regress).
Original Title:
Lion of Ain-Jaloot
Alternate Titles:
Lion of Ain-Jalut
اسد عين جالوت
Genres:
Action | Adventure | Animation | Drama | History | War
Production Companies:
Ella Animation
Optimum Productions
Ratings / Certifications:
N/A
Runtime: 65
The story of the hero Seifuddin Qutoz, defender of Jerusalem and conqueror of the Mongols. The events take place in Khwarizm, India, Syria and Egypt between the years 617-658 of the 7th Hijra century (1220-1260 A.D.).
ADR Mixer:
Angelo Oddi
ADR Recording Engineer:
Adam smith
Adaptation:
Lisa Lumby Richards
Animation:
Nedim Polat
Korhan Doqaj
Tan Yucel
Tulga Alish
Murad Jeleq
Mehmet Shinokack
Khazanji
Noah Amel Ashin
Turgut Yelmaz
Mateen Dwazken
Khairuldeen Tonje
Ondor Dartal
Bakeer Corjan
Ahmad Kaya
Nozad Zylan
Daria Tekeen
Ali Sahin
Najla K.Dermenjy
Ali Othman Beldram
Birol Cak
Turk Boloc
Archival Footage Coordinator:
Seyfi Kalan
Barish Ozdemi
Assistant Director:
Nicole Thuault
Virginia Rek
Background Designer:
Erdal Kelsoy
Bashar Kelsoui
Nehad Bagshi
Fehmi Usta
Ali Kuray
Mahout Acar
Ilhan Dadasov
Imani Hakim
Muhammad Kaya
Hayati Karaosmanoglu
Murat Karaosmanoglu
Mustafa Sulaq
Director:
Hashim Watandash
Director of Photography:
Mehmet Ozturk
Harun Erez
Layout:
Ozan Kaya
Lyricist:
Ahmad Natoui
Sulaiman Hasan
Saleem Abdul Qader
Music:
Ibrahim Hawari
Nabeel Daqaq
Talal Abo Baghib
Music Director:
Muna Al Yafi
Ammar Al Shurbagy
Music Producer:
Manal Jabasani
Producer:
Osama Khalifah
Production Coordinator:
Nicole Thuault
Birol Demirbozan
Screenplay:
Shafaq Tugul
Saleem Abdul Qader
Script:
Abdullah Al Tantawi
Songs:
Yara Harb
Legene Abo Fafkr
Tamara Harb
Asim Sukar
Sound Effects:
Nabeel Daqaq
Ibrahim Hawari
Storyboard Artist:
Zafer Kalkin
Technical Advisor:
Serif Yetis
Translator:
Ibrahim Abusharii
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.