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The Texas Chainsaw Massacre (2003) [R]

Release Date:
May 21, 2003

Original Title:
The Texas Chainsaw Massacre

Alternate Titles:
La masacre de Texas
La masacre en Texas
La matanza de Texas
Michael Bay's Texas Chainsaw Massacre
O shizofrenis dolofonos me to prioni
Tekhasskaya reznya benzopiloy
Tekisasu chênsô
Teksasko klane
Teksaški masakr motornom testerom
Texas Chainsaw
Texasin moottorisahamurhat
德州電鋸殺人狂

Genres:
Horror

Production Companies:
Focus Features
New Line Cinema
Next Entertainment
Platinum Dunes
Radar Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 16  AT: 18  AU: MA15+  BR: 18  CA: 18A  CZ: 15+  DE: 18  ES: 18  FI: K-18  FR: 16  GB: 18  HU: 18  IE: 18  IN: A  IS: 16  JP: R-15   KR: 18  LT: N-16   MX: C  NL: 16  NO: 18  NZ: R18  PH: R-18  PL: 16  PT: M/18  SE: 15  SG: M18  TR: 18+  TW: 18+  US: R 

Runtime: 98

What you know about fear...doesn't even come close.

Overview from TheMovieDB

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.

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Additional information:

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Video

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Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

Additional Music:
Jay Flood

Additional Photography:
Peter Simonite

Art Department Coordinator:
Debbie Cortez Haber

Art Direction:
Scott Gallagher

Assistant Camera:
Jason Casillas

Assistant Location Manager:
Joey Hudgins

Assistant Production Coordinator:
Jeff Valeri

Assistant Property Master:
Amy Bell

Assistant Sound Engineer:
Gregg Silk

Associate Editor:
Nathan R. Fitzgerald

Associate Producer:
Matthew Cohan
Pat Sandston

Best Boy Electric:
Edison Jackson

Best Boy Grip:
Donis Rhoden

Boom Operator:
Chris Frazee

Camera Operator:
Jeffery J. Tufano

Camera Technician:
James Marks

Carpenter:
Steve Allen

Casting Assistant:
Meagan Lewis

Casting Associate:
Julia Kim

Chief Lighting Technician:
Andy Ryan

Co-Producer:
Kim Henkel
Joe Dishner
Tobe Hooper

Color Timer:
Dennis McNeill

Construction Coordinator:
Joe McCusker

Costume Design:
Bobbie Mannix

Costume Supervisor:
Kathy Kiatta

Costumer:
Matthew Jerome

Digital Intermediate Editor:
John Scheer

Digital Intermediate Producer:
John McCunn

Director:
Marcus Nispel

Director of Photography:
Daniel Pearl

Dolly Grip:
Greg Lomas

Editor:
Glen Scantlebury

Electrician:
Paul Postal

Executive Producer:
Brad Fuller
Ted Field
Andrew Form
Jeffrey Allard

First Assistant Camera:
Theda Cunningham

First Assistant Director:
Randy Fletcher

First Assistant Sound Editor:
Branden Spencer

Foley Artist:
Edward M. Steidele

Foley Mixer:
Chris Trent

Key Costumer:
Anna Abbey

Key Hair Stylist:
Kelly Nelson

Key Makeup Artist:
Troy Breeding

Key Set Production Assistant:
Crisoforo Aguilar

Leadman:
Shane Patrick

Lighting Technician:
Buzzy Burwell

Local Casting:
Lisa Fields

Location Manager:
Kelly Kernan

Location Scout:
Logan Cooper

Makeup Artist:
Grady Holder

Makeup Effects:
Scott Stoddard

Music Editor:
Jennifer Nash

Original Film Writer:
Tobe Hooper
Kim Henkel

Original Music Composer:
Steve Jablonsky

Payroll Accountant:
Jeremy Roberts

Picture Car Coordinator:
Russell E. Scott

Post Production Assistant:
Sara Mineo

Post Production Supervisor:
Tami Goldman

Producer:
Mike Fleiss
Michael Bay

Production Assistant:
Monique Champagne

Production Coordinator:
Shanti Delsarte

Production Design:
Greg Blair

Production Sound Mixer:
Stacy Brownrigg

Property Master:
King Orba

Scenic Artist:
Corissa Smith

Screenplay:
Scott Kosar

Script Supervisor:
Pam Fuller

Second Assistant Camera:
Donald R. Howe Jr.

Second Assistant Director:
Phil Hardage

Second Second Assistant Director:
Kathie Tull

Second Unit Director:
Kenny Bates

Set Decoration:
Randy Huke

Set Dresser:
David Hack
Jeremy Reeves
Christopher Stull
Robert R. Wonson

Set Dressing Buyer:
Annilee Ballentine

Set Medic:
John Arszyla

Sound Designer:
Scott Martin Gershin

Sound Editor:
Frederick Howard

Sound Effects Editor:
Mark Allen

Sound Engineer:
John Bires

Sound Re-Recording Mixer:
Brad Sherman

Sound Supervisor:
Trevor Jolly

Special Effects Assistant:
Gary D. Bierend

Special Effects Supervisor:
Brandon K. McLaughlin

Special Effects Technician:
Christopher A. Suarez

Standby Painter:
Kara Sutherlin

Still Photographer:
Van Redin

Storyboard Artist:
Mark Millicent

Stunt Coordinator:
Anthony Cecere

Stunt Double:
Jill Brown

Stunts:
Diana R. Lupo

Title Designer:
Simon Cassels

Transportation Coordinator:
Greg Faucett

Unit Production Manager:
Joe Dishner

Unit Publicist:
John M. Pisani

Utility Sound:
Christopher Sposa

Visual Effects Editor:
Kosta Saric

Visual Effects Producer:
Jeff Werner

Visual Effects Supervisor:
Nathan McGuinness

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.