A work in constant progress (and occasional regress).
Release Date:
November 2, 2022
Original Title:
Vous n'aurez pas ma haine
Alternate Titles:
Nem kapjátok meg a gyűlöletem
ぼくは君たちを憎まないことにした
Genres:
Drama | History
Production Companies:
Erfttal Film
Frakas Productions
Haut et Court
Komplizen Film
MMC Movies
NDR
Proximus
RTBF
Shelter Prod
Tobis
Production Countries:
Belgium | France | Germany
Ratings / Certifications:
CH: 12 DE: 12 FR: TP JP: G
Runtime: 102
The story of Antoine Leiris, who lost his beloved wife Hélène in the terrorist attack on the Paris "Bataclan". In a moving Facebook post, he counters the assassins' hatred with his love for his almost three-year-old son. And yet he seems to lose his footing in his grief.
ADR Mixer:
Alexis Leverve
ADR Supervisor:
Anais Letiexhe
Additional Grip:
Johan Libin
Assistant Costume Designer:
Marie Davin
Assistant Editor:
Bertrand Conard
Assistant Location Manager:
Cosima Viola
Associate Producer:
David Tioulong Grumbach
Markus Reinecke
Kilian Riedhof
Marc Blöbaum
Jan Braren
Author:
Antoine Leiris
Best Boy Electric:
Stanislas Etenaille
Boom Operator:
Emmanuel Botteriaux
Camera Operator:
Dayana Knes
Casting:
Marie Pierre Delabrière
Constance Demontoy
Lale Nalbant
Casting Assistant:
Lucie Llopis
Co-Producer:
Tanguy Dekeyser
Neshe Demir
Klaus Dohle
Peter Eiff
Christian Granderath
Bastian Griese
Theodor Gringel
Sabine Holtgreve
Peter Kreutz
Timm Oberwelland
Jean-Yves Roubin
Andreas Schreitmüller
Carole Scotta
Cassandre Warnauts
Jens Wolf
Arlette Zylberberg
Julie Billy
Colorist:
Peter Bernaers
Costume Assistant:
Marie Davin
Costume Designer:
Catherine Marchand
Costumer:
Catherine Marchand
Dialogue Editor:
Marc Bastien
Digital Imaging Technician:
Bertrand Glosset
Director:
Kilian Riedhof
Director of Photography:
Manuel Dacosse
Editor:
Andrea Mertens
Electrician:
Philipp Goldhausen
Executive Producer:
Christophe Hollebeke
Extras Casting Assistant:
Perrine Barba
First Assistant Camera:
Benjamin Hautenauve
Olivier Servais
First Assistant Director:
Tatiana Merizalde Dobles
Foley Artist:
Martin Langenbach
Foley Editor:
Johannes Krause
Foley Mixer:
Christoph Oertel
Gaffer:
Stanislas Etenaille
Emilien Faroudja
Grip:
Geraldo Haag
Key Grip:
Jean-François Roqueplo
Key Hair Stylist:
Natascha Matheuwezen
Key Makeup Artist:
Barbara Bijelic
Line Producer:
Ben von Dobeneck
Location Manager:
Paul Effertz
Makeup Artist:
Natascha Matheuwezen
Makeup Designer:
Barbara Bijelic
Original Music Composer:
Peter Hinderthür
Post-Production Manager:
Julia Brachert
Michaël Cinquin
Tolke Palm
Producer:
Jonas Dornbach
Janine Jackowski
Maren Ade
Producer's Assistant:
Anne-Laure Declerck
Production Accountant:
Janina Bukowski
Andrea Göpfert
Production Assistant:
Marija Kritchevski
Karen Dohr
Evelyn Radke
Production Coordinator:
Mathieu Pereira
Eve Portal
Cecilia Trautvetter
Production Designer:
Sebastian Soukup
Production Manager:
Dorissa Berninger
Angeline Massoni
Daria Wichmann
François-Xavier Willems
Production Secretary:
Michel Dulisch
Tess Anastasia Fernández
Nora Maib
Second Assistant Camera:
Sabrina Robin
Second Assistant Director:
Tim Schaer
Sound Mixer:
Thomas Grimm-Landsberg
Sound Re-Recording Mixer:
Emmanuel de Boissieu
Maurizio Armato
Steadicam Operator:
Matthias Biber
Stunt Double:
Christian Petersson
Supervising Sound Editor:
Kai Tebbel
Unit Production Manager:
Pierre Py
Video Assist Operator:
Dayana Knes
Visual Effects:
Stéphanie Pottier
Visual Effects Producer:
Michel Denis
Visual Effects Supervisor:
Ronald Grauer
Wardrobe Supervisor:
Elodie Vionnet
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.