A work in constant progress (and occasional regress).
Release Date:
May 20, 1974
Original Title:
Identikit
Alternate Titles:
Identikit
La masoquista
Le siège du conducteur
Přibližná podoba
Siedzenie kierowcy
Smrt u Rimu
The Driver's Seat
Ölmek istiyorum
Место водителя
Психо
Сидіння водіїв
Genres:
Drama
Production Companies:
Cinecoord International
Felix Cinematografica
Rizzoli Film
Studio Hamburg
Production Countries:
Italy
Ratings / Certifications:
US: R
Runtime: 102
Lise, a mentally disturbed spinster, experiences a series of bizarre encounters while in Rome as she searches for someone who will murder her.
Art Direction:
Mario Ceroli
Assistant Camera:
Giuseppe Alberti
Mauro Marchetti
Assistant Director:
Albino Cocco
Aldo Terlizzi
Assistant Editor:
Olga Pedrini
Edoardo Romani
Assistant Makeup Artist:
Vincenzo Marchetti
Boom Operator:
Corrado Volpicelli
Camera Operator:
Enrico Umetelli
Color Timer:
Ernesto Novelli
Continuity:
Elvira D'Amico
Costume Design:
Gabriella Pescucci
Costume Mistress:
Orsola Liberati
Director:
Giuseppe Patroni Griffi
Director of Photography:
Vittorio Storaro
Editor:
Franco Arcalli
Executive Producer:
Nello Meniconi
Hairstylist:
Mirella Ginnoto
Giancarlo Novelli
Makeup Artist:
Giuseppe Capogrosso
Stefano Trani
Novel:
Muriel Spark
Original Music Composer:
Franco Mannino
Producer:
Franco Rossellini
Production Secretary:
Silvano Spoletini
Ermida Aichino
Marisa Nannicini
Production Supervisor:
Sergio Galiano
Screenplay:
Raffaele La Capria
Giuseppe Patroni Griffi
Set Decoration:
Andrea Fantacci
Sound:
Claudio Maielli
Sound Editor:
Attilio Gizzi
Michael Billingsley
Sound Effects:
Luciano Anzellotti
Sound Mixer:
Venanzio Biraschi
Gianni D'Amico
Sound Supervisor:
Gene Luotto
Special Effects:
Luciano Anzellotti
Still Photographer:
Mario Tursi
Sergio Strizzi
Unit Manager:
Gino Capponi
Luciana De Pita
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.