A work in constant progress (and occasional regress).
Release Date:
February 3, 2022
Original Title:
Die Kür ihres Lebens
Alternate Titles:
Des patineurs hors norme: Le couple Aljona Savchenko et Bruno Massot
Twist - Die Kür ihres Lebens
Genres:
Documentary | TV Movie
Production Companies:
ARTE
BR
Film- und Medienstiftung NRW
Lichtblick Film
MDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 81
After three unsuccessful attempts at the Olympics, the 30-year-old Aljona Savchenko finally wants to win a gold medal with a new partner in four years. A rather bold plan, especially since the young Frenchman Bruno Massot, chosen by the German-Ukrainian ice princess, has no international successes in pairs figure skating. He moves to Germany and has no idea of the manic perfectionist he's getting involved with. Aljona's training is tough. Constant disputes about the right course threaten to bring the project to failure. Two completely different characters collide. However, the team of trainers manages to calm things down. February 2018: The competition at the Winter Olympics in South Korea begins with the short program. Inexplicably, Bruno blunders and the pair sit fourth by a wide gap. Gold is hardly possible anymore. It only remains for them to show the world their unique free skating. Their intoxicating, perfect run will go down in history. It will be the free skating of their life!
Commissioning Editor:
Sonja Scheider
Petra Felber
Fatima Geza Abdollahyan
Thomas Beyer
Director:
Gerhard Schick
Director of Photography:
Gerhard Schick
Jennifer Günther
Joel Stangle
Editor:
Anika Simon
Music:
Patrick Schmitz
Producer:
Carl-Ludwig Rettinger
Sound:
Benedikt Gaussling
Sebastian Stahl
Jule Vari
Ralf Weber
Sound Designer:
Holger Buff
Sound Re-Recording Mixer:
Holger Buff
Jascha Viehl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.