A work in constant progress (and occasional regress).
Release Date:
March 13, 2022
Original Title:
The Thief Collector
Genres:
Crime | Documentary
Production Companies:
Diamond Docs
Museum & Crane
Roots Productions
XTR
Production Countries:
United States of America
Ratings / Certifications:
GB: 12
Runtime: 96
In 1985, Willem de Kooning’s “Woman-Ochre,” one of the most valuable paintings of the 20th century, vanished into the Arizona desert after being cut from its frame at the University of Arizona Museum of Art. 32 years later, the $160 million painting was found hanging in the home of Jerry and Rita Alter in rural New Mexico.
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Co-Producer:
Mary Kay Cook
Heath Cullens
Director:
Allison Otto
Director of Photography:
Rod Hassler
Matt Ryan
Editor:
Nick Andert
Executive Producer:
Bryn Mooser
Kathryn Everett
Tony Hsieh
Andy Hsieh
Justin Lacob
John Boccardo
Derek Esplin
Shizuka Asakawa
Kathleen L'Esperance
Producer:
Caryn Capotosto
Jill Latiano Howerton
Joshua A. Kunau
Screenplay:
Mark Monroe
Nick Andert
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.