A work in constant progress (and occasional regress).
Release Date:
September 7, 2024
Original Title:
The Substance
Alternate Titles:
La Substance
substancja
Սուբստանցիա
სუბსტანცია
サブスタンス
Genres:
Drama | Horror | Science Fiction
Production Companies:
Blacksmith
Working Title Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AR: +16 AU: R 18+ BE: 16 BG: X BR: 18 CA: 18A CH: 16 CL: 18 CZ: 15+ DE: 16 ES: 18 FI: K-16 FR: 12 GB: 18 GR: K18 HK: III HU: 18 ID: 21+ IE: 16 IL: 16 IN: A IT: 14+ KR: 15|19 LT: N-16|N-18 LV: 16+ MO: D MX: C NL: 16 NO: 15 NZ: R16 PH: R-16 PR: R PT: M/16 RO: 18 RU: 18+ SE: 15 SG: M18 SK: 18 TH: 18 TR: 18+ TW: 18+ UA: 18+ US: R VI: R
Runtime: 141
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Anna Devillaire
ADR Mixer:
Patrick Christensen
Judah Getz
Additional First Assistant Camera:
Benjamin Colleye
Additional Grip:
Tanguy Goasguen
Additional Hairstylist:
Mélissa Jacob
Jean-Marc Benois
Additional Second Assistant Camera:
Christophe Arnaud
Art Direction:
Stéphane Bécimol
Amélie Meseguer
Arnaud Denis
Gladys Garot
Julie Plumelle
Nathalie Vaïsse
Assistant Art Director:
Krystell Morantin
Marion Didier
Assistant Editor:
Benjamin Durfort
Assistant Location Manager:
Steve Sebir
Christophe Riso
Assistant Production Manager:
Honorine Sutter
Assistant Property Master:
Elsa Rolland
Assistant Set Decoration:
Amélie Meseguer
Best Boy Electric:
Olivier Sargatal
Boom Operator:
Claire Bernengo
Margaux Peyre
Camera Intern:
Vianne Burquier
Camera Operator:
Steve de Rocco
Catherine Georges
Camera Trainee:
Guillaume Billy
Carpenter:
Louis Celnik
Casting:
Laure Cochener
Casting Assistant:
Aurélie Boutet
Colorist:
Fabien Pascal
Concept Artist:
Sebastian Lochmann
Costume Designer:
Emmanuelle Youchnovski
Costume Supervisor:
Camille Damag
Fabienne Menguy
Dialogue Editor:
Thomas Pichon
Digital Compositor:
Louis Auger
Téo L'Huillier
Louis Lion
Jacob Rogers
Digital Imaging Technician:
Baptiste Marnière
Director:
Coralie Fargeat
Director of Photography:
Benjamin Kračun
Editor:
Jérôme Eltabet
Coralie Fargeat
Valentin Féron
Electrician:
Edouard Alvernhe
Charles Droudun
Nahi Margot
Olivier Maurin
Executive Producer:
Erik Baiers
Alexandra Loewy
Nicolas Royer
Extras Casting:
Jacques-Emmanuel Astor
Raphaëlle Beck
First Assistant Camera:
Laure Caniaux
Marie-Sophie Daniel
Gustin Guillaume
Stella Libert
First Assistant Director:
Matthieu de la Mortière
First Assistant Editor:
Jimmy Zhao
Foley Artist:
Grégory Vincent
Foley Editor:
Antoine Swertvaegher
Gaffer:
Guillaume Lemerle
Graphic Designer:
Marjane Texier
Grip:
William Renaud
Eddy Trouillot
Hair Department Head:
Frédérique Arguello
Hairstylist:
Caroline Vlieghe
Key Grip:
Thomas Gros
Key Hair Stylist:
Marilyne Scarselli
Frédérique Arguello
Key Makeup Artist:
Stéphanie Guillon
Location Assistant:
Isalys Gillet
Location Manager:
Noémie Lance
Location Production Assistant:
Katia Sourzac
Location Scout:
Nadege Marti
Makeup Artist:
Oriane Cattiaux
Lucky Nguyen
Cynthia Scigliuto
Makeup Effects Designer:
Pierre-Olivier Persin
Music Supervisor:
Guillaume Baurez
Original Music Composer:
Raffertie
Post Production Supervisor:
Abraham Goldblat
Tiva Nagchin
Producer:
Coralie Fargeat
Eric Fellner
Tim Bevan
Production Accountant:
Baptiste Herment
Julia Besnier
Production Coordinator:
Pierre-Yves Frohard
Production Design:
Stanislas Reydellet
Property Buyer:
Benjamin Bouygues-Faugeron
Property Master:
Chloé Zobel
Props:
Baptiste Bonin
Elise Duvignau
Prosthetic Makeup Artist:
Denise Boccacci
Prosthetic Supervisor:
Dave Elsey
Lou Elsey
Prosthetics:
Pierre-Olivier Persin
Prosthetics Sculptor:
Andrea Leanza
Richard Martin
Script Supervisor:
Marianne Huet
Second Assistant Camera:
Chloè Acher
Second Assistant Director:
Benoit Seiller
Set Costumer:
Elsa Manunta
Set Decoration:
Cécilia Blom
Marion De Villechabrolle
Set Dresser:
Barthelemy Thomas
Alexandrine Mauvezin-Bosque
Sound Designer:
Valérie Deloof
Sound Editor:
Valérie Deloof
Victor Fleurant
Sound Mixer:
Emmanuelle Villard
Sound Re-Recording Mixer:
Victor Praud
Stéphane Thiébaut
Special Effects:
Olaf Taittinger
Special Effects Makeup Artist:
Frédéric Balmer
Olivier Afonso
Marison De
Sandrine Denis
Brian Kinney
Bryony Rumble
Special Effects Supervisor:
Jean Miel
Special Effects Technician:
Serafin Bernfeld
Arthur Weiser
Steadicam Operator:
Ludovic Tobaldi
Thomas Burgess
Still Photographer:
Christine Tamalet
Stunt Coordinator:
Jérôme Gaspard
Stunt Double:
Marie Bouvet
Guillemette Buffet
Stunt Driver:
Joffrey Darel
Stunts:
Ahmed Chouikhi
Jérémie Delaboudinière
Arthur Delapierre
Stephane Girondeaud
Lucile Perez
Céline Richard
Marie Sergeant
Jérémy Lagniez
Supervising Dialogue Editor:
Olga Pasternak
Lucien Richardson
Third Assistant Camera:
Jonas Poignant
Third Assistant Director:
Anne Juin
Clément Audebrand
Mateo Cejoco
Louis Tellier
Unit Production Manager:
Benjamin Celliez
Video Assist Operator:
Yann Festinger
Visual Effects Producer:
Pierre Procoudine-Gorsky
Visual Effects Supervisor:
Bryan Jones
Guillaume Le Gouez
Chevin Shafaghi
Writer:
Coralie Fargeat
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.