A work in constant progress (and occasional regress).
Release Date:
October 12, 1977
Original Title:
Neptunian Space Angel
Ratings / Certifications:
N/A
Runtime: 9
Soundtrack: Subduing Demons in America, John Giorno; Actress: Lillian North. A film dealing with the alteration of human scaling within the 16mm frame. The "star" walks from one edge of the screen, passes the center, but never reaches the opposite edge. Shot in extreme slow motion, this film creates an unusual and bizarre sense of timelessness and distance. This allows the viewer to become involved with every subtle movement within the frame. The "center" of the frame is constantly emptying itself, creating a vacuum, and is left entirely open, only to be filled again, not with images, however, but with the mind's eye. The space created in the center of the frame allows one to pass through the film and enter an inner dimension of visual perception. A cycle is attained whereby the film, emptying itself, gives the viewer the space he needs so that he may feed energy back into the space. This film is a unique approach to dealing with space that surrounds filmic images.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.