A work in constant progress (and occasional regress).
Release Date:
December 1, 2001
Original Title:
Dead Dogs Lie
Genres:
Action | Adventure | Comedy | Crime
Production Companies:
Big Slick Entertainment
My2Centences
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 98
Three hit people - two men, one woman, who have never met before are placed on a road trip down the East Coast together. The only thing they have in common is that they have all worked for the same boss - and, as they swap stories, discover that they have all screwed up for this same boss in the past. As they share their stories of errors on the job - seen through visual, stirring flashbacks - they begin to wonder why it was they were put together in the first place and what might be waiting for them at the end of their little road trip.
Assistant Costume Designer:
Annamarie Klose
Associate Producer:
Robert Dean Klein
Stephanie Silk
Steve Marlowe
Boom Operator:
Derek Gross
Camera Loader:
Gerard Brigante
Casting:
Alycia Aumuller
Robyn Levinson
Cinematography:
John Sosenko
Co-Producer:
John Sosenko
Director:
Craig Singer
First Assistant Camera:
Lauren Shaub
First Assistant Director:
Apryl Lee
Gaffer:
William Newell
Key Costumer:
Cindy Lahiff
Key Grip:
Pete McGill
Key Hair Stylist:
Kari Arthurs
Key Makeup Artist:
Francesca Buccellato
Makeup Effects:
Neal Martz
Producer:
Gary Stretch
Chris M. Williams
Production Assistant:
Colleen McCurdy
Production Design:
Robert E. Lee
Production Manager:
Apryl Lee
Second Assistant Camera:
Gerard Brigante
Second Assistant Director:
Maureen Rogalski
Sound Designer:
Ted Gannon
Sound Recordist:
William Kozy
Still Photographer:
Dennis Yeandle
Writer:
Robert Dean Klein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.